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CLASSICAL: B.U. Concert Choir, Women's Chorus and Repertory Orchestra; Tom Hall and Thomas Dunn, directors; music of Hindemith, Strvinsky and Faure; Marsh Chapel, 735 Commonwealth Ave., Boston; Sunday...

Author: NO WRITER ATTRIBUTED | Title: b.u. | 11/12/1981 | See Source »

...occasionally jagged vocal lines, the more polished transitions between scenes, the improved thematic development-represent the mature second thoughts of a composer who had already completed ten of the 15 symphonies he was eventually to write. But as a rule, first impulses tend to be more vital and visceral: Hindemith's first version of Cardillac, for example, or Verdi's original Don Carlos. The same is true of Lady Macbeth. As staged by the enterprising San Francisco Opera, which gave Katerina Ismailova its U.S. premiere in 1964, Lady Macbeth showed a power and raw urgency that was weakened...

Author: /time Magazine | Title: Add One to the List of Greats: Dmitri Shostakovich's Lady Macbeth | 10/5/1981 | See Source »

...adventurous Santa Fe Opera is celebrating its 25th anniversary with a season that includes such rarities as Paul Hindemith's News of the Day, Igor Stravinsky's The Rake's Progress and Richard Strauss's Daphne. But, a few individual performances aside, it has been a dry operatic summer in the Southwest...

Author: /time Magazine | Title: Music: Composer with a Hot Hand | 8/24/1981 | See Source »

Surprisingly, the most successful production was the Hindemith. News of the Day is a Brechtian satire from the '20s about an ordinary couple (Soprano Mary Shearer and Baritone William Workman) whose divorce makes worldwide headlines. It's not half the opera that Hindemith's great Mathis der Maler-a work that really deserves revival-is, but Lou Galterio's madcap staging made it lively and Bruce Ferden's energetic conducting kept the evening humming. No amount of stage magic by Director Bliss Hebert, however, could save The Rake's Progress, the most depressing waste...

Author: /time Magazine | Title: Music: Composer with a Hot Hand | 8/24/1981 | See Source »

...Greenwich Village apartments, not New Mexico. I assumed that because of the opera and the chamber festival, the audience would be sophisticated. When I talked to people about what they wanted to see, everybody, but absolutely everybody, said Neil Simon. I found we had an audience that knew about Hindemith and Stockhausen but nothing about the theater. The Front Page was as close to Neil Simon as we could get with an American classic...

Author: /time Magazine | Title: Show Business: Salzburg of the Southwest | 7/13/1981 | See Source »

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