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...Corp. simply "Olin." At the invitation of Chrysler Corp., the designers dropped the dated "Forward Look" slogan, created the company's five-pronged Pentastar emblem, and spread Pentastars across Chrysler's signs and showrooms. Though these outward touches seem minor, many businessmen feel that they help to highlight a company's products and aims...

Author: /time Magazine | Title: Corporations: The Turnaround Boys | 7/16/1965 | See Source »

...routine scarcely varies from crooner to crooner. After the bouncy, wake-up opening number and the tender love ballad, he takes his portable microphone on a teaser tour of the stageside tables, establishing the all-important "eye contact" with the ladies. Highlight of the mingle-with-the-matrons sequence is when he takes the hand of a giggling patron, drops to one knee and breathes Come to Me, Bend to Me, always climaxed by a buss on the cheek. This gives way to cozy time, in which the crooner mounts a stool to sing a round of songs categorized either...

Author: /time Magazine | Title: Singers: Song-&-Glance Man | 7/9/1965 | See Source »

...archaic instrument by commissioning new pieces by the dozen. Among them are chamber works by Ned Rorem and Elliott Carter, both contrasting the tangy harpsichord with bland woodwinds. Rorem strings together short, romantic "songs without words," while Carter builds a severe, towering structure out of tiny musical blocks. Highlight of the recording is the plangent Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello by Manuel de Falla...

Author: /time Magazine | Title: Television: Jul. 2, 1965 | 7/2/1965 | See Source »

Sarmi's designs are almost copy-proof. Highlight of this season's show, for instance, is a full-length empire coat made entirely of swansdown ($4,500). For the budget-minded lady or fashion pirate who wants to whip up an economy model, the directions would have to start: First you take 14 dozen swans...

Author: /time Magazine | Title: Fashion: Bugles, Bangles & All Woman | 6/25/1965 | See Source »

...felt so rewarded at seeing your article on Sergiu Celibidache [TIME, June 4]. When I lived in Berlin after the war, hearing the Berlin Philharmonic on a Sunday afternoon was the highlight of the week. Then Maestro Celibidache wore his hair quite long; it was a veritable mane that swung to and fro with every movement of his spirited conducting. I thought he was terrific, hair and all. Ever since, I have wondered what happened to him. Thank you for clearing up the mystery...

Author: /time Magazine | Title: Letters: Jun. 18, 1965 | 6/18/1965 | See Source »

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