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...Crimson's front page, titles of memos, lots of names, and idiotic descriptions of office buildings--for example, "The carpet is light blue, and there are large windows in all the outer offices, with more glass on the interior walls of the corner offices. The furnishings are modern." To hide the lack of quality, Vigeland resorts to quantity...

Author: By Peter J. Howe, | Title: Blowing a Fortune | 6/3/1986 | See Source »

Single-sex housing did provide certain benefits. "We had the opportunity to be grubby, dirty and quiet at home without anyone knowing. It was a great relief to hide out and not bother for a while," says Sara McGuire Muspratt '61, while Peggy Gilkerson Heywood '61 adds that dorms were "very pleasant, small-scale homelike places...

Author: By Brooke A. Masters, | Title: Calm Before the Feminist Storm | 6/2/1986 | See Source »

...alcohol policy was really all things to all people. It gave the administration the ability to hide behind a shield of having a stated policy. It gave the students an opportunity to drink at college events. And it sure didn't hurt the poor guy in the Zone who sells fake IDs. 'Emergency identification cards' one of the signs reads. Sure is an emergency when you're stuck at a Leverett keg party and someone asks...

Author: By Evan O. Grossman, | Title: It's Been a Long Year, Fred | 6/2/1986 | See Source »

...people reading to other people. Adele would read to Bob and the children; soon, through her seductive pedagogy, the children were reading to their father. "At bedtime," Molly recalls, "she would read us a Dr. Seuss book, and then suddenly she'd stop, turn out the lights and hide the book. The next day we'd tear the house apart looking for it so we could read what happened next." When Molly was six, Adele posed as her secret pen pal, writing and mailing letters to her daughter. "Every letter would reach a climax," Molly says, "with my secret...

Author: /time Magazine | Title: Cinema: Well, Hello Molly Ringwald! | 5/26/1986 | See Source »

...throbbing drum), the audience can't helped being shaken by the montage of emotion. Anyone with any heart will fall for this scene, regardless of how many times it's been done before because this time we know it really happened. If only Richard Pryor didn't have to hide behind Jo Jo Dancer...

Author: By Elizabeth L. Wurtzel, | Title: Richard Pryor, Your Story is Calling | 5/9/1986 | See Source »

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