Word: hides
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...months into his tour through Galilee, Jesus (to revert to his English name) managed to take his 12 best students and hide out with them for three long days. It was the first calm escape they had managed since his success as a healer and exorcist had kept them mobbed night and day by the helpless...
...young widow Sue Lee (Jewel, the singer). They are idiot savants at making war--without flair or even instinct but with an awful proficiency. At making love they are just idiots. They haven't had the example of the movies or even mush literature to teach them courtship. They hide their feelings as clumsily as they express them. "So, do you want to marry me?" asks Sue. Jake replies, "No, not too bad." And for a moment we see the sweet awkwardness Lee induced in Sense and Sensibility...
...follow-up to her concisely titled debut Tidal--actually runs 90 words long. A more appropriate name might have been "How About 'Dem Apples!" The angst-ridden star apparently thinks she made a criminal first impression, and spends most of When the Pawn... emphasizing the sincere emotions that hide behind her previous dreamy, doctored image. The result is less shock and more maturity...
...women to learn about themselves even though each woman creates a new reality within her existence. Manuela pretends to be a poor theater aficionado, Agrado pretends to be a real woman, Huma wishes to run from a heart broken by her cocaine-snorting junkie girlfriend, and Sister Rosa must hide from the order and her parents. Yet in this situation, four women learn that the kindness of strangers and the spontaneous solidarity of women is no fallacy. Acting and repression pave the way for a confrontation with reality; Lola greets the viewer in the end, debilitated with AIDS...
...sick of his life, sick of his wife now dying of tuberculosis, sick of his entire milieu. He is bored with his very existence. The insight and sensitivity that Chekov shows for his characters and their problems comes across in whispers and unsaid words, in the meanings that we hide underneath meaningless social conventions. For Yeremin, though, Chekov's characters must be as grand and deliberate as the sets. Arliss Howard's Ivanov is endlessly and openly angst-ridden. He mopes around the stage so that we cannot help but notice his misery, strips to the waist and spreads...