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...Randels Howard, lw. 3-4 lw. 3-4, Rankin Channing, soh. soh., Jones Mayorga, sh. sh., Carey Schwyzer, f. f., Letcher White, f. f., Burney Sweeney, f. f., Smith Oppenheimer, f. f., Strange Oettinger, f. f., Howland Knapp, f. f., Miller Taylor, f. f., Foster Burrage, f. f., Hess...

Author: NO WRITER ATTRIBUTED | Title: RUGBY TEAM TO BATTLE NEW YORK SQUAD TODAY | 4/21/1934 | See Source »

...Wienecke, a seasoned Army pilot who had flown less than 24 hr. in the last 18 months, was ramming a planeload of mail from, Newark, N. J. through a snowstorm, toward Cleveland. About 20 mi. short of his goal, he groped for a landing. His plane crashed on John Hess's farm near Burton, Ohio. Farmer Hess ran to the wreck, shook the pilot's shoulder. Lieut. Wienecke did not budge. His neck was broken...

Author: /time Magazine | Title: AERONAUTICS: Turnback | 3/19/1934 | See Source »

...next season the Slenczynskis will be free to retire their prodigy daughter. Impressible Ruth favors concerts for three months a year at least. Next year's performances will earn her $2,500 apiece, a fatter fee than is asked by such adult artists as José Iturbi, Myra Hess, Vladimir Horowitz, Josef Hofmann...

Author: /time Magazine | Title: Music: $75,000 Child | 2/26/1934 | See Source »

Next day no one took much notice when a quiet, middle-aged woman arrived on the Europa, calmly saw her luggage through customs and sped out to the Steinway factory to choose her own pianos for a cross-country tour starting this week in Hartford. She was Myra Hess who does not go in for publicizing herself like most musicians. She does not assume that anyone is interested in the fact that she grew up in an orthodox Jewish home in London, started playing the piano when she was five, stuck to it because for her there seemed no other...

Author: /time Magazine | Title: Music: Week's Cargo | 1/15/1934 | See Source »

Critics have little faith in women pianists but in the twelve years she has been playing in the U. S. Myra Hess has lived down the handicap. With her there is no pose, no affectation, no sentimentality. She comes on the stage usually in a severe black velvet dress, sits down calmly and plays Bach so that the audience shouts for more. She plays Beethoven with the stride and strength of a man. Her Brahms and Schumann are expertly tender. Evidence of Hess's powers are the houses she draws. During Depression when most audiences have dwindled hers have...

Author: /time Magazine | Title: Music: Week's Cargo | 1/15/1934 | See Source »

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