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...funereally paced “Guiding Light.” It’s no better than its predecessor, further proving that loudness doesn’t preclude tedium. “I Belong to You” is lively enough, but you can’t help but wonder whether Muse’s apocalyptic sound is really suited to such lovelorn lyrical material.This litany of mediocrity is only interrupted by track six, “Unnatural Selection.” With shouted, drunken sports fan-style “hey!”s, and a surging guitar...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Muse | 9/18/2009 | See Source »

...Mickey, who disappears simultaneously, but separately—Doc winds up entangled with an undead saxophonist, a contract killer, several drug dealers, and a dentist, all somehow connected to a sinister outfit called the “Golden Fang.”For a primer to help you decode what seems convoluted in “Inherent Vice,” look to Pynchon’s second novel, “The Crying of Lot 49,” an altogether more effective version of the same basic literary ideas. That novel is also a paranoia-infused narrative...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: Pynchon's Noir "Inherently" Minor | 9/18/2009 | See Source »

...goal remains the same. Since the economic downturn began last year, Bataclan changed the notes to proclaim a message that “Everything will be alright.” “I feel like, as an artist, this is one of the best ways that I can help out right now,” Bataclan says. Since he changed his note, Bataclan has begun leaving more paintings in unemployment offices, hoping that this timely message will also be able to bring people comfort.Since Bataclan is a local artist, residents of Boston and Cambridge have a greater opportunity...

Author: By Kerry A. Goodenow, CRIMSON STAFF WRITER | Title: Smile Like You Mean Art: Paintings Promote Goodwill | 9/18/2009 | See Source »

FlyBy couln't help but notice that Justice Souter--who turned 70 yesterday-- had traded in his somber black robe for a snappy Lowell House...

Author: By Luis Urbina | Title: Spotted: Erstwhile Lowellian, Adjudicator | 9/18/2009 | See Source »

...There is something strangely poetic about “Imperial.” The passion with which Vollmann overflows for his subject infects the (patient) reader. The seventh reiteration of some Imperial resident’s saying “I can’t help believing in people” is infinitely more touching than the sixth. “The Desert Disappears. Water is Here”—which originally appeared in a headline of a newspaper from which Vollmann quotes—is more heartbreakingly ironic and more beautiful for its rhythmic prose each time...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Topography of a Desert Empire | 9/18/2009 | See Source »

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