Word: hellmold
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...other female singers give superb performances. As Donna Elvira--one of Giovanni's past conquests--Margery Hellmold '83 captures woman's confused love-hate feelings toward Giovanni with her emotional outbursts through her buoyant arias and desperate recitative interplay with the seducer himself. Junior Jeanine Bowman's Zerlina complements the other two women with her performance as an innocent country maiden, who almost falls into Giovanni's web Less emotional and more straightforward than Anna or Elvira. bowman's Zerlina is delightful with her quieter yet charming voice that reveals her character's naivete and dedication to her country bumpkin...
...standing, misguided G & S Players practice--the strongest and most professional performance in the operetta comes from a freshman: Nan Hughes as Tessa, one of the gondoliers' brides. Hughes is a natural actress, and her commanding, sensuous mezzosoprano is the vocal equivalent of chocolate-chocolate chip ice-cream. Margery Hellmold's performance as Casilda is further proof that first-rate singers enroll at Harvard: her soprano has a rare purity and vigor but never becomes inappropriately operatic...
...outdone, however, are the two leads played by Harvard students. Margery Hellmold '83, who will star in Gilbert & Sullivan's The Gondoliers next month, brings her beautiful, seemingly effortless soprano to the title role. She plays one half of a pair of street singers in Peru and is lured away from her partner Piquillo, by the Viceroy, played by Dominic A.A. Randolph '84. Through a series of Contrivances, she is married to Piquillo without Piquillo's knowledge. Piquillo later discovers the secret but then comes to believe that La Perichole is the Viceroy's mistress; her task is to convince...
Richard Slade's Piquillo combines with La Perichole to make a purposely awkward but rather endearing pair. They are quite comical as they fail to impress the local townfolk with their singing and dancing. Slade's soft tenor blends nicely with Hellmold's soprano, although the occasionally overpowers him. Hellmold's more natural stage presence also steels situation from Slade; she moves slowly but gracefully, suiting her steps and value to each song. After becoming "tipsy," for instance, she hiccups and belches her way through a number, teetering back and forth on the stage. And Hellmold's voice, even...
...they frantically battle the same evil. Most of the roles fall in groups. But whether a terrified child, fanatical judge or desperate, martyred farmer, each actor manages to create an individual personality and consistently convey it. And the other actors on whom the show's believability rides--Maja Hellmold as Abigail, Jennifer Devine as Proctor's wife Elizabeth, and Jay Mattlin as Danforth, condemning to death by hanging all those who do not confess they are guilty of witchcraft--flesh out each role to the fullest. The small room echoes, and candlesticks shake as Mattlin, in a phenomenal portrayal...