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...many cruel cusps atop which life obliges us to teeter, none is more razor-sharp than the one separating childhood and adolescence. Just ask Dawn Wiener (Heather Matarazzo), better known to her fellow students at Benjamin Franklin Junior High as "Wiener Dog." Built like a badly packed shipping carton, afflicted with thick, round glasses and tightly skinned-back hair, she was born to be shunned and taunted in approximately equal measure...

Author: /time Magazine | Title: CINEMA: HELL IS FOR ZEROS | 6/3/1996 | See Source »

...need for the film just by sight. He and casting director Ann Goulder scoured New Jersey malls for girls who showed signs of self-loathing and boys who looked like bullies. That didn't work. The self loathers were too sad, and the bullies too evil. So they chose Heather Matarazzo, a sparky 11-year-old who had been acting professionally for five years, to play the nerdy, beleaguered Dawn Wiener. To nullify Heather's prettiness and self-assurance, Solondz "gave her a few flourishes: the glasses, the hair, the clothes...

Author: /time Magazine | Title: CINEMA: UN-HAPPY DAYS | 6/3/1996 | See Source »

Another Hoopes winner, Heather L. Clark '96, explored the Irish identity of James Joyce in "Conquest is a Lie: Joyce, Irish Identity and the Politics of the Postcolonial in 'Araby...

Author: By Sarah E. Scrogin, | Title: Hoopes Prizes Awarded for Theses | 5/22/1996 | See Source »

Prizes were also awarded to Daniel T. Chrzanowski '96 for "Fertility in Western Kenya: An Engendered Explanation and an Application of Human Rights"; Heather L. Clark '96 for "Conquest is a Lie: Joyce, Irish Identity, and the Politics of the Post-colonial in Araby"; Jill A. Corcoran '96 for "Beyond the Bell Curve and 'g': Rethinking Ability and Its Correlates"; Hugh G. Eakin '96 for "Religious Politics and Civic Rhetoric in the Renaissance: The Brancacci Chapel Frescoes and Their Patronage"; Steven A. Engel '96 for "The Legacy of American Hegemony: A Theory of Institutional Change"; and Eliezer M. Finegold...

Author: By Sarah E. Scrogin, | Title: Hoopes Prizes Awarded for Theses | 5/22/1996 | See Source »

...debuted in 1992 as an unconvincing thirtysomething for Gen Xers. When it returned the following season it was something else altogether, a dumb-brilliant parody of the soap universe, a show in which women dressed for work as though life were a continual audition for the Howard Stern Show. Heather Locklear was now entrenched as a nasty, libidinal Leona Helmsley-ish landlady in the making, while Sydney the hooker-stripper was chasing her sister Jane's amoral husband Michael...

Author: /time Magazine | Title: TELEVISION: STOP THE INANITY! | 5/13/1996 | See Source »

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