Word: headlong
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...native land and to the sort of material with which he first established his international reputation, Soldier of Orange, his 1977 resistance drama of a much more conventional kind. But in his 69th year, Verhoeven is perhaps something of a split personality: a man who cannot unlearn the headlong American way of making movies that he learned comparatively late in life (he was 48 when he came here) and a man who may also have an aging eye angled at his eventual place in cinema history. Black Book is, I think, an attempt to satisfy both these impulses. Such mixtures...
Recording his city's rich architectural heritage has been a demoralizing task for Shanghainese photographer Deke Erh. While Art Deco buildings in Miami, New Zealand's Napier and even the Eritrean town of Asmara are lovingly tended, Shanghai has demolished scores of equally historic structures in its headlong rush for modernity. "I've been taking photographs of old Shanghai for 20 years, and I've continually seen these things torn down," says Erh. "But I still have hope. Even today, Shanghai has more Art Deco buildings than any other city in the world. If I didn't have hope...
...both wondrous and psychotic. There are certain parallels between Israel and America -- both nations born with a mission, both ingatherings of people from around the world. In a curious way, part of the genius of America has been a collective forgetfulness, a talent for somehow outdistancing problems in a headlong race toward something new. It is a form of heedlessness, perhaps, blithe and profligate, but also an exuberant forward spin that may spare people the exhausting obligations of revenge. A curse of the Middle East is that almost nothing there is ever forgotten. Part of the difference is physical space...
...success, he announced that the U.S. would not simply push the communists back to the border; it would liberate the North as well. That seemed like a good idea until China, terrified by the prospect of American soldiers on its border, joined the war, forcing the U.S. into a headlong retreat...
...thing. Back when men directed women's pictures, they throbbed with energy, perhaps because female behavior was such an enigma to them, perhaps because actresses like Bette Davis and Joan Crawford were so headlong, so committed to the emotional extremes. You might not, in the end, believe them, but boy they were gripping to watch. Directors like Grant or Nancy Meyers (of The Holiday among other titles) want to keep their leading ladies unhysteric, as if descents into the irrational were somehow fuel for sexism. But the politely furrowed brow is fundamentally anti-dramatic. You want people in films like...