Word: harold
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...hear many of Britain's leaders tell it, that financially uptight little island need only await the imminent tapping of North Sea oil and gas for the dawning of a bright new day. Prime Minister Harold Wilson jokes: "There is speculation which member of the Cabinet will become chairman of OPEC in the 1980s." Chancellor of the Exchequer Denis Healey says that Britain's petroleum import needs will be halved by 1977 and eliminated within five years...
...present financial problems. "Terrific! Why don't you send a note to the world's economists?" a colleague enthusiastically recommends. Says Alf, "Can't afford to-'til the price of paper comes down." One of the oldest comics, Little Orphan Annie, first drawn by Harold Gray in 1924, is also one of the most topical strips. Gray died in 1968; the strips that run today in 300 papers were all drawn by him during the Depression of the 1930s. "S'po sin' we are pretty hard up right now," Annie recently told her companion...
...question, Mrs. Thatcher had breakfasted at Claridges with Henry Kissinger (who pronounced her "quite a girl"). Then she went to the House of Commons for her first serious parliamentary skirmish with Prime Minister Harold Wilson, who had just returned from a visit with Soviet Party Chief Leonid Brezhnev in Moscow and was feeling ebullient. Such dealings with the Soviets were fine, declared Mrs. Thatcher, provided they "never lull this House or this country into a sense of false security." In an unsubtle reference to the Tory leader's admitted lack of expertise in foreign affairs, Wilson condescendingly retorted: "Some...
Those words did not always apply to The New Yorker. Santayana once wrote: "All problems are divided into two classes, soluble questions, which are trivial, and important questions, which are insoluble." For many years the magazine took that epigram seriously. Through the Depression and even through the war, Harold Ross, the magazine's legendary founder, preferred not to confront moral issues. "His old dread," recalled the owlish humorist James Thurber, "that the once carefree New Yorker, going nowhere blithely, like a wandering minstrel, was likely to become rigidly 'grim,' afflicted his waking hours and his dreams...
...stylistics, Kael states. "This time [Cassavetes, the director] abandons his handsome, grainy simulated cinema-verite style." Stephen states: "The only scene of Nick at work is shot in the handsome, grainy, cinema-verite style characteristic of Cassavetes's earlier work." Kael closes her article by comparing Cassavetes to Harold Pinter: "[Cassavetes's] special talent--it links his work to Pinter's--is for showing intense suffering from nameless causes." Stephen, towards the end of his review, states, "Cassavetes's admirers compare his home-movie method to Harold Pinter's drama...