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...view that Clinton must hunker down in the center is shared by some members of the White House inner circle, notably domestic-policy adviser Bruce Reed and Treasury Secretary Lloyd Bentsen. Another camp, which includes deputy chief of staff Harold Ickes and possibly adviser-in-chief Hillary Rodham Clinton, wants the President to consolidate his party base. If that means dwelling on civil rights, abortion rights and labor issues, it's probably an agenda that would appeal to a too narrow slice of the ever more conservative electorate. As a rough blueprint for post-apocalypse strategy, White House chief...

Author: /time Magazine | Title: After the Revolution | 11/28/1994 | See Source »

Jamaica Plain resident Harold Kaplow, 71, says Question 9 has forced him to become politically active...

Author: By Curtis R. Chong, | Title: Citizens Dispute Question 9 | 11/7/1994 | See Source »

Under Mark Brokaw's direction, the first act races along as cynical and funny, never dull or heavy. Silver's language is innovative, and his humor refreshing and barbed with commentary. Regarding Harold Pinter's Birthday Party; Arthur: "Who'd you play?" Todd: "The rapist." Arthur: "You were ten!" Todd: "It was private school." Or Arthur fearing implication for his molestation of Emma: Emma: "I had a memory." Arthur: "Don't dwell...

Author: By Thomas Madsen, | Title: Pterodactyls Never Manages to Soar | 11/3/1994 | See Source »

...beginning there was Mack Sennett and he created the Keystone Kops. And he said let there be slapstick, and there was slapstick, which was good then, but seems dated now. And Sennett begat Buster Keaton, who did physical comedy better than anyone ever did, with the exception of Harold Lloyd, and whose works are still fine (see "The General," "The Navigator" and "700 Brides"). And Sennett also begat Chaplin, who learned from him but went well beyond to become the finest comic artist ever, the Little Tramp who mixed laughter and tears. And Chaplin created "City Lights" and "The Gold...

Author: NO WRITER ATTRIBUTED | Title: Let There Be Comedy | 10/29/1994 | See Source »

...cover portrait of choreographer Bill T. Jones, as well as all the photographs of black artists accompanying the story, were shot by staff photographer Ted Thai. For good measure, Thai also took the striking portraits of Yale scholar Harold Bloom and hot young filmmaker Quentin Tarantino in this week's issue. As deputy picture editor MaryAnne Golon points out, "Ted has a gift for thinking of imaginative ways to incorporate an artist's discipline into a photograph." To incorporate the marvelous achievements of today's African-American artists into the frame of a cover story, all of our Black Renaissance...

Author: /time Magazine | Title: To Our Readers: Oct. 10, 1994 | 10/10/1994 | See Source »

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