Search Details

Word: harmonica (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Though the public embraced Jackrabbit and its hit single, "Romeo's Tune," 600,000 copies worth, Forbert remains glaringly suspicious of the media. Many reporters, early on, stereotyped him as "the new Dylan." The comparison was inevitable, given Forbert's harmonica and guitar-driven, folk-flavored style, but the singer resented being written into a corner. Moreover, with an eye on the kind of tragedy that came to Presley, Parsons, Williams and others in his line of work, Forbert seems terrified of the psychological fallout of fame...

Author: By Byron Laursen, | Title: THE FORBERT SAGA | 10/16/1980 | See Source »

...songs on the album from mediocrity and lifts one to brilliance. The bass playing is at times superb, and probably Ron Wood's; elsewhere it is merely workmanlike, and probably Bill Wyman's. Over the years the Stones have acquired a nonpareil corps of sidemen, and sax Bobby Keys, harmonica Sugar Blue, and Keyboards Nicky "Jamming with Edward" Hopkins and Ian Stewart perform with their customary elan. The production and mix are dazzling. Only the guitars are inadequate; if the rhythm guitar and short fills work as well as anyone's, the leads are, unfortunately, hopeless. Whether they are Keef...

Author: By Paul A. Attanasio, | Title: The Man Who Loved Woman | 9/15/1980 | See Source »

...songs on the album from mediocrity and lifts one to brilliance. The bass playing is at times superb, and probably Ron Wood's; elsewhere it is merely workmanlike, and probably Bill Wyman's. Over the years the Stones have acquired a nonpareil corps of sidemen, and sax Bobby Keys, harmonica Sugar Blue, and Keyboards Nicky "Jamming with Edward" Hopkins and Ian Stewart perform with their customary elan. The production and mix are dazzling. Only the guitars are inadequate; if the rhythm guitar and short fills work as well as anyone's, the leads are, unfortunately, hopeless. Whether they are Keef...

Author: By Paul A. Attanasio, | Title: The Man Who Loved Woman | 9/10/1980 | See Source »

...songs on the album from mediocrity and lifts one to brilliance. The bass playing is at times superb, and probably Ron Wood's; elsewhere it is merely workmanlike, and probably Bill Wyman's. Over the years the Stones have acquired a nonpareil corps of sidemen, and sax Bobby Keys, harmonica Sugar Blue, and Keyboards Nicky "Jamming with Edward" Hopkins and Ian Stewart perform with their customary elan. The production and mix are dazzling. Only the guitars are inadequate; if the rhythm guitar and short fills work as well as anyone's, the leads are, unfortunately, hopeless. Whether they are Keef...

Author: By Paul A. Attanasio, | Title: The Man Who Loved Woman | 9/8/1980 | See Source »

...songs on the album from mediocrity, and lifts one to brilliance. The bass playing is at times superb, and probably Ron Wood's; elsewhere it is merely workmanlike, and probably Bill Wyman's. Over the years the Stones have acquired a nonpareil corps of sidemen, and sax Bobby Keys, harmonica Sugar Blue, and keyboards Nicky "Jamming with Edward" Hopkins and Ian Stewart perform with their customary elan. The production and mix are dazzling. Only the guitars are inadequate; if the rhythm guitar and short fills rock as well as anyone's, the leads are, unfortunately, hopeless. Whether they are Keef...

Author: By Paul A. Attanasio, | Title: The Man Who Loved Women | 8/1/1980 | See Source »

First | Previous | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | Next | Last