Word: hanning
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...swashbuckling heroism of Luke Skywalker and Han Solo is favored by Lucasites. Trekkers prefer the intellectual and strategic cunning of a Captain Picard or a Spock...
...through to the climactic elimination of the Death Star in the "Battle of Yavin." The soundtrack of The Empire Strikes Back is a beautiful work, with powerful, poignant themes and the extremely memorable end title, as Luke and Leia watch Lando and Chewbacca fly into space to find Han and the music swells in the background. The Return of the Jedi is almost entirely action-oriented, with the brilliant exception of the dark choral work that accompanies the scenes of the Emperor...
...year-old's who see Episode 1 and are today taken with its action may grow up to imbue it with as much meaning as our generation has found in the original movies. Some scenes have the potential to become psycho-emotional monuments in our cultural memory: just as Han Solo rocketed out of nowhere to send Darth Vader hurtling through empty space in Star Wars, so does Anakin Skywalker throw his racing pod into a breathless ascent and flame-out half-way through Episode...
...Elsewhere, Lucas uses the old movies with less trite but equally lame intent. Qui-Gon needs to appear wise; thus, Lucas puts him in the back of a sea-pod cockpit, murmuring confident wisdom ("There's always a bigger fish.") just as Kenobi once presided behind Han Solo's pilot seat. Jabba's dancing girls return as masseuse-extras in a Tatooine hanger, once again serving to sprinkle Lucas' archetypal myth with just enough sexiness to be annoying...
...trilogy begins to climax, what will that climax be? Will Yoda retreat to Dagobah, will Ben Kenobi pick up Darth Vader's old lightsaber, so he can someday give it to Luke? Such cloyingly nostalgiac satisfactions pale compared to Luke's arcanely scored hatred for Vader and to Han's martyr-ship in the carbonite chamber! The satisfactions of a prequel turn the the Star Wars universe into an introvert, a narcissus...