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Word: hammerstein (lookup in dictionary) (lookup stats)
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...musical based on Shaw's "Pygmalion" ("My Fair Lady"). But his generosity of spirit compelled him to help out struggling theater folk. He had gone to Bali in the late 40s and made a silent movie of the dancers there; on his return he showed the footage to Rodgers, Hammerstein and designer Jo Mielziner, and they incorporated some of his research into their show "The King...

Author: /time Magazine | Title: That Old Feeling: The Fun in Al Hirschfeld | 1/29/2003 | See Source »

...office charts. Now Russell Simmons' Def Poetry Jam has barged its way onto Broadway. An evening of in-your-face street poetry by nine performers with noms de rap like Black Ice, Georgia Me and Poetri might seem to have an uphill battle in the land of Rodgers and Hammerstein. But the show, being marketed to urban audiences and sporting a relatively low $65 top ticket price, is attracting young, multicultural crowds that Broadway rarely sees. And most of the stuffy theater critics liked...

Author: /time Magazine | Title: Hip-Hopping to Broadway | 12/2/2002 | See Source »

...Titanic who "jumped his black ass into the dark sea" and cheerfully swam home while the rich folks drowned. And a cry against the exploitative record industry: "F___ a record deal. God gives me what I'm worth." They might not approve of the words, but Rodgers and Hammerstein would recognize the sentiment. --By Richard Zoglin

Author: /time Magazine | Title: Hip-Hopping to Broadway | 12/2/2002 | See Source »

...King and I and Carousel have each got a fresh coat of paint in recent years. Even that postwar war-horse South Pacific is on a national tour and was revived a short time ago in London. But Flower Drum Song has long been the one Rodgers and Hammerstein hit that no one wants to revive, tucked away in the drawer where dated ethnic stereotypes are sent...

Author: /time Magazine | Title: Theater: Not Just Chop Suey | 10/28/2002 | See Source »

...many Asian Americans with mixed feelings about the 1958 show's cliched and old-fashioned portrayal of Chinese immigrants in the U.S. But he's the one who decided to do something about it. Working with seasoned Broadway pros and watched over by the guardians of the Rodgers and Hammerstein canon, he totally rewrote the musical's book. Characters were changed, songs were rearranged (one, The Other Generation, was dropped), and more historical context was added. "It was an opportunity," says Hwang, "to do my own story about Chinese immigration and Americanization as seen through the eyes of Asians...

Author: /time Magazine | Title: Theater: Not Just Chop Suey | 10/28/2002 | See Source »

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