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Probably 50 percent of the coaches wear again some item of clothing they had worn at a winning meet. Typical examples are Hal Ulen and Bill Brooks, who coach the varsity and freshman swimming teams respectively. Ulen restricts himself to repeating a tie, but Brooks will repeat his entire outfit...

Author: NO WRITER ATTRIBUTED | Title: Superstitious Coaches Depend on Barbers, Lucky Clothes in Hopes of Repeating Wins | 4/16/1953 | See Source »

Producer-Director George Cooper Stevens, 48, is a perfectionist who came up an odd way: at 19, he was the youngest cameraman in Hollywood, and his specialty was comedy (including 60 or more Laurel & Hardy and Harry Langdon shorts). Hal Roach made him a director (of shorts) in 1929, and Stevens moved on into feature-length pictures merely by stretching out his two-reelers. His first big hit was Alice Adams (1935)., followed by such topnotchers as Gunga Din, Woman of the Year, The Talk of the Town, A Place in the Sun, Something to Live...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 13, 1953 | 4/13/1953 | See Source »

Zins and Lewis advanced a base on Bill Martin's infield out. Then with first base open, Ward deliberately passed Bob Brown. This strategy backfired when Ward walked the next two batters, Bob Jedrey and Hal Walter, to force in two runs. At that point Pat Groper relieved Ward, struck out the next two batters, and went the rest of the distance...

Author: By David L. Halberstam, | Title: Amherst Nine Beats Crimson 7-2, in Season's First Game | 4/13/1953 | See Source »

...questionable group. Don French is a half-miler capable of bettering two minutes some time this season, but as yet he hasn't hit his peak. The two-mile could be strong if Jerry Whatmough, a professor's son, and Jim Gerry, brother of the varsity's star Hal, live up to their potential. So far, neither has shown up well outdoors...

Author: NO WRITER ATTRIBUTED | Title: LINING THEM UP | 4/10/1953 | See Source »

More impressive than the obvious import of Miss Booth to play Lola is Hal Wallis' choice of Daniel Mann, the director of Sheba on Broadway, to film the screen version. Mann makes William Inge's portrait of frustration and wasted lives even more harrowing on film than it was on the stage. With few close-ups, the camera prowls the squalid little home of the Delaneys like a fascinated eavesdropper. It hides at the bottom of the stairs and catches the plump disarray of Lola as she wanders sleepily down to answer the door-bell; it watches the young boarder...

Author: By R. E. Oldenburg, | Title: Come Back Little Sheba | 3/25/1953 | See Source »

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