Word: guys
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...strange genre conventions in movies - that the rich girl will fall in love with the poor boy, or that people will choose to express themselves by bursting into song - surely the goofiest is the one at the heart of the traditional Western: that the good guy will be the best shot. Does that make any sense? Surely the villain will have had more practice, and with more live targets. Surely he will not wait for a sporting opportunity to murder. Yet there he is, at the wrong end of Main Street, about to be perforated by the unerring trajectory...
...Wood who was never up, directed a Western. It was the new film noir - you could call it the anti-noir, trading claustrophobic darkness for blinding light in the wide-open spaces. But it was also a continuation of noir's fascination with the haunted man, the ordinary guy who'd been scarred by violent experiences. It spoke to returning veterans from World War II, young men from cities and farms who'd been handed weapons and asked to clean up the wildest parts of Europe and the Pacific. They needed to believe that the mission they'd been sent...
...audience needed a rooting interest, and because Clint was so damn cool, he established the new mode: hero by default. The good guy was the one with the fastest gun, the meanest scowl and top billing. And that perpetual three-day beard that Toshiro Mifune had worn in the same role in Yojimbo; in Hollywood Westerns, the hero's visage was typically hairless, while villains sported a dastardly mustache. Eastwood's scruff became a fashion statement that lives today on the carefully unshaven faces of pop stars and young actors. And his surliness, transposed to the Dirty Harry Callahan character...
...Leone was making that year: Once Upon a Time in the West, another decades-old revenge story and one of the great, elegiac Westerns. It was horse opera rendered as grand opera, with Morricone's fullest, most voluptuous score. Corbucci's vision was much bleaker. For once the good guy doesn't win. Hero and heroine are both killed, and the rival bad guys are left to shoot it out in a final saloon carnage...
...very smart and has developed relationships with people in the industry very quickly," says Steven Kolb, executive director of the CFDA. Tuleh's Bradley thinks Baker's ability to observe from a nonretail point of view is the reason changes have happened so quickly. "He is a big-picture guy, and when the small picture needs to be looked at, he can zoom in without telling people how to design the clothes...