Word: guys
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Dates: during 1930-1939
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Credit for the success of the band is due in a large degree to two men, to Franklin Anderson, director, orchestrator, and baton-waver extraordinary, and to director Guy Slade in whose nightmares must course new schemes for dotting an i amid endless streams of running bandsmen. To these men, and to the members of the band for the interest they have shown, and for the work they have expended, Harvard extends her thanks...
...records for letters formed at one game will be smashed by the Harvard Band next Saturday," promises Guy V. Slade, '32, drill master of the organization...
...present holders of these offices are: Malcolm Seymour, '35, manager; Raymond C. Collins, '36, treasurer; and Herbert M. Irwin, '37, secretary. Other band officers are Guy V. Slade, '32, drill master; Franklin Leroy Anderson, '29, musical director; and William B. Tabler, '36, drum major...
...last scene centers in the private sanctum of the Gold Eagle Line, 1906. Here one sees plushy opulence indirect and each visitor must enter through a golden Arc de Trlomphe, from which dangles a heavy medallion. Young Guy comes gleefully in to tell his hated failure that the scuttled ship has been said vaged, and the crime thereby disclose Gold Eagle tries to reason, but failling that he invokes the Deity to descend upon on this wayward Absalom. At the dramatic moment, Heaven responds with a beautifully-handled earthquake, in which father and son perish as the Gold Eagle...
...first play, "Gold Eagle Guy" by promising. It has vigor and dramatic power enough, but as an epic it lacks point. Guy Button, skilfully portrayed by J. Edward Bromberg, stands forth in the round, but his character is not of adequate significance to dovetail insaneness of pageantry. The number of minor characters is so bewilderingly large that mention of their respective merit is here impossible. But the "atmosphere" scenes are well and convincively done. The settings, designed by Donald Oenslager, elicited applause that was justly due, and the richness of the costumes bespeaks a rather optimistic attitude toward the play...