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While Ivy League rock stars may be a rare breed Stealth Foxx stands out as a Harvard band with bigger plans. Described by guitarist John J. “Jay” Costa, Jr. ’09 as “rock with folk and jazz pretty heavily intertwined,” the quartet has garnered a solid fan base of Harvard students and Bostonians alike. Costa and vocalist R. Derek Wetzel ’10 started jamming together while attending Boston College High School. The duo continued their artistic pursuits at Harvard, and were eventually joined by drummer...

Author: By Catherine J. Zielinski, CRIMSON STAFF WRITER | Title: Marching to their own beat | 2/24/2009 | See Source »

...essentially indistinguishable. As “In the Sky” fades into “Meh No Mae,” the album reaches its nadir, with the next several songs just as unexciting as the previous. Even when they mix up the formula—like when guitarist James Hanna makes a vocal appearance on “I Can’t See”—any notable differences are enveloped by the overwhelming reverb. “Me and Mary” stands out, however, as a pleasant surprise. This song gives the album...

Author: By Brianne Corcoran, CRIMSON STAFF WRITER | Title: Asobi Seksu | 2/20/2009 | See Source »

Interior, born Erick Lee Purkhiser, started the Cramps with his wife, guitarist Poison Ivy Rorschach, in 1976. From the beginning, they were more an act than a band, their fusion of surf music, punk and rockabilly (psychobilly, as it was known) sounding better in theory than in sloppy 3-min. bursts...

Author: /time Magazine | Title: Lux Interior | 2/12/2009 | See Source »

...altering his sound a bit on his new solo album “Keep It Hid.” One of that new brand of solo album that includes more instrumentation than on the band’s regular output, “Keep it Hid” finds guitarist Dan Auerbach attempting to push his sound outside of the usual boundaries of a Black Keys album. Part of this expansion involves experimenting with levels of diminished intensity outside of the Keys’ consistently heavy-handed work. The album crafts a clearer arc than anything previously released...

Author: By Sasha F. Klein, CONTRIBUTING WRITER | Title: Dan Auerbach | 2/12/2009 | See Source »

Other artists - from a Tunisian folk singer to a classical guitarist - have contributed to some of the tracks, but Ndiaye and his gang define the album's tone. "I can't understand a word Amadou says," Tricky admits. "But when he was rapping, he made me feel like he was saying, 'Can't you see us?' That was his vibe, and that's what I called the album." Tricky's intuition is right: on a track with the working title "Afrique," Ndiaye scream-raps "Mes frères ont souffert, bordel de merde! (My brothers have suffered, goddammit)" over...

Author: /time Magazine | Title: Tricky Taps Into the Sound of the Paris Ghetto | 2/11/2009 | See Source »

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