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...took a nonsinging role in Roberta for two years, made his baritone debut last summer singing Gilbert & Sullivan in St. Louis and Central City, Colo. To replace Baritone Julius Huehn, he went to Chicago fortnight ago to sing star parts in Puccini's Gianni Schicchi and Gruenberg's Jack & the Beanstalk, was engaged to repeat the performance. The latter role requires a shrill falsetto. Undaunted, Baritone Middleton boasted: "I have a freak voice, a peach of a falsetto. I'd make a good yodler...

Author: /time Magazine | Title: Music: Jazz on the Verge | 12/7/1936 | See Source »

...questions about what to do for their children. That sort of questioning and professional advising has been going on since 1888, when the Child Study Association of America was founded. It has been going on with special intensity since 1921, when intense, Austrian-born Mrs. Sidonie Matsner Gruenberg became the Association's director. Within the past decade the Laura

Author: /time Magazine | Title: Medicine: Pedoculture | 2/17/1936 | See Source »

...Gruenberg advised that children should begin to receive spending money between the ages of 5 and 7, because one "must learn to spend before he can earn." The allowance should be given as something due the child, not as something for which he must work...

Author: /time Magazine | Title: Medicine: Pedoculture | 2/17/1936 | See Source »

...trustees, to the Metropolitan. The Juilliard School of Music has thrived on its fat capital. Under President Erskine's administration a $3,000,000 building has been erected, where students put on their own opera. Jack & the Beanstalk, a collaboration of President Erskine and Composer Louis Gruenberg, was given as part of the housewarming...

Author: /time Magazine | Title: Music: Ghost at the Metropolitan | 3/13/1933 | See Source »

...Manhattan's Metropolitan Opera House to bow right & left in a shattering storm of applause. Ten times there appeared with him a stocky, wavy-haired man in busi- ness clothes who stood and looked bewildered. The coffee-colored man was Baritone Lawrence Tibbett, the bewildered one Composer Louis Gruenberg. Because Gruenberg had been fascinated by a short, stark play of Eugene O'Neill's called Emperor Jones, because he had hunted O'Neill out one midnight in Paris two years ago, got permission to set the play to music and then proceeded potently...

Author: /time Magazine | Title: Music: O'Neill into Opera | 1/16/1933 | See Source »

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