Word: grimming
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Mozart's Vesperae was much more exciting and slightly less well-done. The major problem was the grim Carl Orff assault which soprano Donna Newman made on the sacred coloratura aria Laudate Dominum: all the notes were there, too many of them flat, all of them invested with a Donizettian apocalyptic bravura, Mozart may have been only one year away from great operatic achievement in Idomeneo, but at the moment he was still close by the altar. Miss Curtis seemed intimidated by this Salome-like display but still bettered her prosaic performance in the Schutz. The two male soloists sang...
...assault succeeds, labor's prospects are grim; pro-business legislation is notably hard to repeal. Without the NLRB, unions will be hard-pressed to maintain current wage levels and to keep shops from "running away" to the non-union South. The drive to organize badly paid agricultural, hospital, and Southern workers will be smothered, for unskilled replaceable workers are easily intimidated by the mildest "unfair practice...
Within hours, TIME correspondents were going after the story in force. And in a year that has seen more than its share of grim news, their assignment offered a pleasant, if hectic, change of pace. A quick phone call to Rome sent Bureau Chief Jim Bell flying off to Athens. There, with the help of our stringer Mario Modiano, Bell chartered the only plane at the airport that was not controlled by either Onassis or the Greek government. He was taken for a look at Onassis' private island of Skorpios, and he is still frightened. "The pilot passed...
...shan't be sorry when men begin to refer to me as old. But I'll be awfully sorry when women do." On politics: "Don't go near any political headquarters. Except for a stirring at election time, they're a kind of grim repository of people who like politics and can't get jobs elsewhere." On the Washington scene: "No tourist should leave Washington without seeing the late 19th century museum pieces in the Senate...
...loathed Faust," Corsaro admits. "In fact, I've started off by basically disliking every opera that I've done so far. They all seemed like such old salami." But as he began thinking about it, he became fascinated with the prospect of doing Faust as a grim Gothic tale in which sheer horror and grizzly humor intertwine. He decided to introduce Mephistopheles in different guises that would fit credibly into each scene. After materializing first as a cadaver, the Devil appears later as a gypsy fortuneteller, then Don Juan, then a soldier of fortune. Next, Corsaro threw...