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...with a small new novel, Local Anaesthetic, West Germany's Giinter Wilhelm Grass has reached into the pressing present. The book's setting is Germany today. Its grim narrative device, characteristic of Grass's grotesque humor, offers society as a patient in a dentist's chair. The plot, if it can be called that, involves the threatened sacrificial burning of a dachshund. But Grass's real concern, which currently throbs like a sick tooth through the mind and conscience of the Western world, is the Generation Gap, the morality of revolutionary protest, the apparently helpless and surely tragic bankruptcy...

Author: /time Magazine | Title: Books: The Dentist's Chair as an Allegory in Life | 4/13/1970 | See Source »

...that human society is swiftly perfectible. In sadness he speaks out against youthful extremists and what he calls the "blind activism of a pseudo-revolutionary movement." In anger he sees Neanderthal reaction setting in by men who speak with grim relish of restoring law and order. Tirelessly, subtly, he preaches the folly of posturing...

Author: /time Magazine | Title: Books: The Dentist's Chair as an Allegory in Life | 4/13/1970 | See Source »

...There you go, quoting Clairvoyant Maurice Woodruff on his grim predictions in McCall's magazine for the Messrs. Reagan and Agnew [March 9]. Fine. But you neglect his one really important prediction, "Richard Nixon will gain great popularity in 1970. Comes time for reelection, I guarantee that he will be almost unopposed." Ah, but you don't like that...

Author: /time Magazine | Title: Letters: Mar. 30, 1970 | 3/30/1970 | See Source »

Basu last week warned darkly that if his Marxists are not included, "there will be bloodshed all over the state." No one doubts Basu's potential for mayhem-or the grim appropriateness of Rudyard Kipling's description of Calcutta, written nearly a century...

Author: /time Magazine | Title: India: Where Death Looked Down | 3/30/1970 | See Source »

...momentum spins on. No time to stop until the lights dim and the act is over. Afterwards the performers scatter to the corners of the back room, and sit quietly with their various plaints. Senelick comes in talking to the prop girl. He stops to console it worried P??grim. After a minute he disengages, turns to the group, and adjusts his spectacles...

Author: By J. K. Walters, | Title: No Headline | 3/16/1970 | See Source »

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