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...does Manila (pop. 1,300,000), where the polarities of the nation are reflected in microcosm. Sprawled on both sides of the sluggish Pasig River, the city straddles a grey-green current that carries both sewage and water lilies into Manila Bay. Many of its streets are potholed; rats chitter behind the wainscoting of its finest restaurants; street urchins peddle everything from lottery tickets to fragrant sampaguita garlands ?all at outrageous prices. The current craze requires shops to have a D apostrophe preceding the English names, as in D'Artland Gallery, D'Elegant Theater, D'Stag Cocktail Lounge...

Author: /time Magazine | Title: The Philippines: A New Voice in Asia | 10/21/1966 | See Source »

...light with a warning that U.S. subs were operating in the area. The Russian replied in clumsy English: "Thanks for warning. I are seeing submarines." Late last month the Gidrofon finally departed for its home port-probably Vladivostok. For days the Russian crew had been busy repainting the grey-green hull and white deckhouse, and touching up the crisp black Cyrillic letters of its name. U.S. helicopters hovered overhead, watching the Russians watching them, and a Navy resupply ship circled near by while its band serenaded the Gidrofon with strident capitalist rock 'n' roll. No sooner...

Author: /time Magazine | Title: World: The Skunk Watchers | 10/14/1966 | See Source »

...example, in Torn Curtain, I decided with the production designer that up to the first reel of the film, which starts in Copenhagen and ends in East Berlin, we'd have a certain amount of color up to that, and from then on the colors would be grey and beige for the mood of the iron curtains. A touch of red here and there, inspired by the color of the uniforms they wore. So that was the scheme...

Author: By Tim Hunter, | Title: ALFRED HITCHCOCK AT HARVARD | 10/14/1966 | See Source »

...that I always go for color, because if you want the effect of black and white you can always create it, because the camera will photograph what you give it. It's a matter of taste. The exteriors in Torn Curtain are all diffused also. We used a grey diffusor. In fact, we did that for the whole picture in order to reduce the color even more, so that we would prevent even Technicolor from cheating us. We made the reflected light with a big sheet: a large 20 by 20 sheet...

Author: By Tim Hunter, | Title: ALFRED HITCHCOCK AT HARVARD | 10/14/1966 | See Source »

...pass around so the TV audience could count the house themselves. At any rate, he was happy to be "free to pick and choose" a new job. And it wouldn't be with one of those clubs where "you wind up with more young Ivy League guys in grey flannel britches than you have any idea...

Author: /time Magazine | Title: People: Oct. 7, 1966 | 10/7/1966 | See Source »

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