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...swaddled in bright-colored African fabric. "Listen! You must feel happy to hear your baby cry," said a nurse, pleading with Conteh to find strength. Three visiting members of a neighborhood church began chanting over Conteh: "Jesus, put blood into this woman! Thank you, Lord!" But as their chants grew louder, the nurses stepped back from the bed. Conteh was dead...

Author: /time Magazine | Title: Death in Birth | 9/18/2008 | See Source »

Yale’s endowment grew by approximately 4.5 percent in the year ending June 30, the university announced yesterday in a press release...

Author: By Clifford M. Marks and Nathan C. Strauss, CRIMSON STAFF WRITERSS | Title: Yale Lags in Money Chase | 9/18/2008 | See Source »

...Maybe the CFTC, a strange little agency overseen by the Congressional agricultural committees, had no business regulating OTC derivatives. But the fact that nobody regulated them, even as the business grew and migrated from banks to firms like Bear Stearns and AIG, is a big reason why the world's financial markets are in such crisis this week. Bear and AIG were bailed out in part because they were big players in the market for credit default swaps, derivatives that are meant to insure against loans gone bad. Regulators have such an unclear picture of who's on the hook...

Author: /time Magazine | Title: While the Regulators Fiddled ... | 9/17/2008 | See Source »

That, at least, was the pattern until a few years ago, when Ayckbourn's run of hits grew spotty, and he had a fight with the London producers of his 2002 trilogy Damsels in Distress. (He wanted the plays to be staged in repertory, but after mixed reviews, the producers dropped most performances of the two weaker shows.) Then, in February 2006, Ayckbourn's machine-like productivity was interrupted by a serious stroke. He was back to directing within several months, but in June 2007 he announced that he would step down as artistic director of his Scarborough theater...

Author: /time Magazine | Title: Alan Ayckbourn's Curtain Call | 9/17/2008 | See Source »

Indeed, it's those populist, regional roots that helped shape Ayckbourn's aesthetic: his commitment to exploring serious and subtle themes without abandoning his primary job of keeping an audience entertained. "I grew up in this little town writing for a theater that relies entirely on its audience to survive," he says. "It's not just a matter of making them laugh. It's giving them a reason to want to stay in the theater." He's been able to keep them in the theater with less apparent effort than almost anyone writing today. And even if the folks...

Author: /time Magazine | Title: Alan Ayckbourn's Curtain Call | 9/17/2008 | See Source »

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