Word: greeting
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Dates: during 1880-1889
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...encourage the eight men who are to represent their college at New London. The case with us appears to be, that the more the advantages offered, the more they are neglected. It is all well enough when the crew have won a hard earned victory for their friends to greet them with hearty cheers and hand-shakings, but it would be far better if some of the pent-up enthusiasm could bubble forth now, instead of lying latent for the next four weeks...
...crew, and if the Hasty Pudding and the D. K. E. theatricals receive the support they deserve, this desirable end will probably be accomplished, and the college at large will deeply appreciate the novelty of a crew without a debt. We hope that a large audience will greet the members of the society at their presentation of the theatricals...
...Marian Simms. Many a good mechanic is spoiled in a poor minister. These facts ought to be taken into consideration when a choice so momentous as that of a profession is to be made. The lecture this evening will aid this consideration. We trust that an enthusiastic audience will greet the lecturer...
...never been reason to doubt the efficiency of these representatives of Harvard musical taste and skill, and to them, now, the future can only offer opportunities for greater triumphs. In recognition of their labors, it is hoped that not only a good audience but a crowded house will greet them in Sander's Theatre next Wednesday evening. What better way can there be to support a college institution, than by contributing to that which will return four-fold in pleasure. Let every man then show, by his presence at Sander's, that he appreciates the musical skill and enthusiasm...
There was not a very large audience in Sever last night to greet the Listemann quartet at their first concert. Before the members of the quartet appeared, Prof. Paine announced that Mr. Giese was to take the place of Mr. Jonas, a statement which seemed not altogether unwelcome to the audience. The performance of the different numbers varied greatly in excellence. The Beethoven quartet suffered, apparently, from lack of practice. The conception was good, but there were a number of blemishes in the execution, especially in the second and last movements which were characterized by considerable indistinctness and untunefulness...