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...shadow of this "Af-Pak" frontier, another conflict has grown new life in recent years and, according to experts, poses a possibly greater existential threat to the Pakistani state. The province of Baluchistan, situated along Pakistan's west and northwest borders with Iran and Afghanistan, comprises more than 40% of Pakistan's landmass but less than 5% of its people. Its unforgiving deserts nearly annihilated the armies of Alexander the Great as they marched home. The native Baluch, descendants of nomadic tribes who roamed these arid wastes, number around five million and have for years complained of marginalization and mistreatment...
...dimensions of the Baluch struggle are made all the more complicated by the region's political geography. Around a million ethnic Baluch live on the other side of the border in Iran and there, too, have long agitated against a repressive state for greater freedoms. During Pakistan's most brutal crackdown on Baluch separatists in the 1970s - when civilians reportedly died in the thousands - Iran lent Pakistan logistical support, including helicopters. At the time, the two countries were allied together under the U.S.-led CENTO Cold War pact, but following Iran's Islamic Revolution in 1979 relations changed, with Tehran...
...report published earlier this year, Harrison recommends the withdrawal of a chunk of the Pakistani occupying army and a political solution that grants the province greater autonomy and control over its resources. The Baluch desire for autonomy commands a decent level of sympathy among the Pakistani public, but is a non-starter with the military, who view the province as a vital geopolitical bulwark against Tehran, Kabul or New Delhi's interests. The political paralysis in dealing with this remote, restive province is another sign, experts say, of the real power the military holds over the country's weak civilian...
Southworth believes that despite the casual and entertaining atmosphere of the event, the Beer School serves a greater purpose...
...Sacred Spaces: Reflections on a Sufi Path,” and its companion display “Sacred Spaces: The World of Dervishes, Fakirs, and Sufis” at the Arthur M. Sackler Museum, are part of a greater initiative, for which faculty and students are also advocating, to use art to educate the Harvard community about the religion of Islam, and by extension, Middle Eastern cultures. And for artists within an Islamic tradition who wish to educate a Western audience, these social motivations must be balanced against their aesthetic goals...