Word: great
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Dates: during 1970-1979
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...Enterprise closes in on it, the creatures have all disappeared, victims not of the story line but of what appears to be a shortage of either money or time. In a very fast shuffle, the film suddenly announces that the villain is not merely a Death Star, but "a great, living machine." When Ilia, the Enterprise's navigator, is captured by the enemy and literally rewired to be its servant, she explains that the machine is seeking its creator and is terribly cross. The bad temper results from the fact that though the great machine thinks like a whiz...
...intergalactic encounters on the old TV show were at least a little more interesting than this stale intelligence-vs.-emotion debate. One suspects a sellout to the Me Generation's self-absorbed search for feelings. It's a wonder they didn't invite the great machine to join them for an Esalen weekend...
...turned to oil on the day Christ was born. But the most touching Nativity tales turned up in 14th century English mystery plays. In the York Cycle, a medieval playwright gives Mary rhymed lines that brilliantly extend the spirit and simplicity of Matthew and Luke: Now in my soul great joy have I am all clad in comfort clear; Now will be born of my body Both God and man together here...
...synthetic-oil conspiracy, whatever that is, while investigating a routine murder. Scott found Sanda's French accent so thick that he had difficulty understanding her. That would make for bad acting and a bad movie. Change the fraulein, as Hollywood often does, to a mademoiselle? Great Scott, not in this case. At Scott's insistence, Sanda was paid $350,000, packed off to Paris and replaced by Swiss Marthe Keller. At least that's the reported dénouement. Neither Scott nor Sanda would talk about it. Her only comment was a brusque "No comment." No accent...
...reach that The Who acts in concert with the audience; "They bring you alive," as John Entwistle, the bass player, puts it. The excess they want, group and fans together, is a release, an explosive culmination of energy, a detonation of good will and great music. "Rock's always been demanding," says Pete Townshend, who writes most Who songs. "It is demanding of its performers, and its audience. And of society. Demanding of change...