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...just months before war broke out, Marc found it impossible to ignore the tense conditions in Germany. His painting "The Poor Country of Tyrol" is a stark contrast to his earlier depictions of equine bliss. With its chalky gray background, desolate black outlines and weak streaks of color, Marc's depiction of this disputed territory is a chilling premonition of the destruction the war was to bring. Marc's horses have not disappeared from the landscape, but they have lost all of their vitality. Their stick-like heads lowered, they serve more as symbols of the unhappy land rather than...

Author: By Annalise Nelson, CONTRIBUTING WRITER | Title: ALL THE PRETTY HORSES: FRANZ MARC AT THE BUSCH-REISINGER | 11/3/2000 | See Source »

...James Gray: Yes, I was 26, and I just turned 31. And I have a very depressing experience on this, because I considered myself not so old. I went to a dinner party and the daughter of one of the people at the dinner party came up to me and asked me how old I was and I said "Well, how old do you think?" And she said 42. I was like, oh my God. And not only that, listen to this. Detour magazine calls up my agent and says, we want to do a big story on James Gray...

Author: By Patti Li, CRIMSON STAFF WRITER | Title: James Gray: The Whole Nine Yards | 11/3/2000 | See Source »

...most memorable work in the exhibit is a painting entitled "Farfalli" (Italian for butterfly), which substitutes a single symbol for letters. A large panel of soothing blue and gray is framed on top by a section of roughly textured deeper color and on the sides by narrow panels covered with the outlines of tiny butterflies, each hand-traced on the canvas. Though the painting is softer in both color and style than the others in the show, its effect is no less dramatic. For those who have sometimes felt that words cannot fully capture the essence of an experience...

Author: By Stacy A. Porter, CONTRIBUTING WRITER | Title: Maggi Brown | 11/3/2000 | See Source »

...help his mother out. Leo is kind of a quiet and understated guy, not usually given to displays of affection or emotion. When he does smile, it feels wonderful and safe. Unfortunately, Leo, played by Mark Wahlberg, has few reasons to be happy in James Gray's newest feature, The Yards. A dark, noir-ish story set against the intrigues of New York City's subway car suppliers, The Yards is Gray's second major film, and it will only add to his reputation as an intelligent filmmaker. The cast of Gray's first major film, Little Odessa, included Vanessa...

Author: By Patty Li, CRIMSON STAFF WRITER | Title: Subtlety, Depth Keep 'The Yards' Ahead | 11/3/2000 | See Source »

...Harry Browne, by the way, is the Libertarian candidate for president in 2000, just as he was in 1996. Ring a bell? He's sort of a big guy, gray hair, a tanned-and-rested aging businessman's quality about him. He's participated in a third-party debate or two, and shows up on the occasional wonk-leaning talk show, usually amid great condescension. The Libertarians would love it if everybody knew Harry Browne's name. But they'd much rather you knew theirs. They've been occupying a calm, studied place on the fringe of American politics since...

Author: /time Magazine | Title: Throwing Your Vote Away? The Case For the Libertarians | 11/2/2000 | See Source »

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