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...basic collection. Even when TNT had commercials and AMC didn't, the Turner network had an edge because its library was stronger than its rival's. Turner had (and has) the grandeur of MGM, the grit of Warners, the swank of RKO. And the movies usually look great. This is a living archive; it keeps restoring classic films so they look as pristine as when they premiered. That's thanks in large part to George Feltenstein, whose title is senior vice president of theatrical catalog marketing at Warner Home Video, but who is really the boss of all things...

Author: /time Magazine | Title: 15 Reasons to Love Turner Classic Movies | 5/2/2009 | See Source »

...design, do disappoint. For a musical fundamentally concerned with theatricality, the physical elements of the set fail to convincingly convey the boat’s pageantry. Besides the necessities—a cane here, a bundle of cotton there—the props and set design lack the grandeur of the Old South. The actors, however, make do with the paucity of props and meager space of the cramped stage. Through their vivacious singing and dance routines, the performers ultimately create the illusion that the set does not. In its conjuration of the spectacle of the Old South...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: BCT's 'Showboat' Quite a Show | 4/30/2009 | See Source »

...through the acquisition of a neighboring 16th century former convent. The buildings are located on a tranquil street a 15-minute walk east of the city center, where the hotel's discreet façade, distinguished by the Della Gherardesca crest above the portal, betrays little of the aristocratic grandeur within. However, the lobby - accessed via a courtyard bordered by a loggia and decorated with 15th century bas-reliefs of classical scenes - is a reminder of the magnificence that seven arduous years of restoration can bestow. So are the suites, which incorporate original frescoes, antique wallpapers and stucco work. Standard...

Author: /time Magazine | Title: In Florence, a Palace Coup | 4/8/2009 | See Source »

...write melodies so much as emotions; their music is the heartbeat that gives movie images instant and lasting resonance. Jarre, who died in Los Angeles on March 29 at 84, put this knowledge to use in his first famous scores: the heroic theme that lent a galloping grandeur to David Lean's 1962 Middle Eastern western, Lawrence of Arabia, and the chorus of balalaikas in Lean's 1965 Doctor Zhivago that promised ecstatic reunion after the grimmest separation. In a half-century of movie work, Jarre wrote the music for more than 150 features, but it's his underscoring...

Author: /time Magazine | Title: Maurice Jarre | 4/7/2009 | See Source »

...dancing holds up the best. Robbins' iconic street ballets - adapted by Joey McKneely - are still vibrant and emotional, and they provide the show with its theatrical high points, especially the climactic rumble that ends Act I. Even so, I felt the production lacked some grandeur, largely because the dancers seemed a bit cramped on the stage of the Palace Theatre. (One night later I watched four actors nearly lost in a vast expanse of stage in a new comedy called The God of Carnage. Can theaters make midseason trades...

Author: /time Magazine | Title: Is West Side Story Overrated? | 3/25/2009 | See Source »

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