Word: grains
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Dates: during 1960-1969
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Wexler insists that he will continue to work against the usual commercial grain, using a small crew to give him greater flexibility of movement and lower budgets. "On most Hollywood movies," he complains, "there are guys on a set to shove chairs under you. But that's how I'll keep my independence -I'll never sit down!" Keeping him on his feet (which are rather improbably shod in red and white Swiss-made track shoes) will be a new project about a couple of young college film makers who get an idea to make "the ultimate...
...ulcers") and his $250,000-a-year contract, Russell ends a career in which he helped the Celtics to eleven championships in 13 seasons. Russell says he is now considering a career in "the field of entertainment." But back in Boston, they were taking it all with a grain of salt. Said Celtics General Manager Red Auerbach: "As far as I'm concerned, Bill Russell will be retired only if he doesn't show up on the first day of camp...
...Hofstadter once defined the fundamentalist mind as "essentially Manichean; it looks upon the world as an arena for conflict between absolute good and absolute evil, and accordingly it scorns compromises (who would compromise with Satan?) and can tolerate no ambiguities." Wayne's fundamentalist character was not against the American grain...
...pharmacologists also complain about the way doctors write their prescriptions. "Writing prescriptions in Latin is an obsolete affectation, conducive to misunderstanding and error," they say. With rare exceptions, the medicine bottle should be labeled with the name of the drug. "The obsolete apothecary system of grains, ounces and drachms is dangerous and unnecessary. The ancient symbols for ounce and drachm are nearly alike, and fatal over doses have resulted. The abbreviation gr. (meaning grain, 60 mg.) is easily mistaken for gram (1,000 mg.), also with catastrophic consequences." Instead of a dubious decimal point, the doctor should use a vertical...
Claude Chabrol's "La Muette" is a work as precise and beautiful as any of his features. Chabrol deliberately modified his style to suit the limitations of a 16mm camera and a stock whose grain texture cannot hold the details that commercial 35mm film can. Thus the frames do not have the astounding depth and dominance of background objects which we have come to associate with recent Chabrol. At the same time, however, the frames retain a three dimensional quality and a precise interaction of parts that has been the basis of all of Chabrol's work. Unlike Godard...