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...tone from the palettes of the Spanish masters: the somber browns of Murillo for the opening sequence; the shade and shine of Sorolla for the market scenes; El Greco's eerie greens in the chapel; Velasquez' black & white for the banquet; and the rich red & gold of Goya for the arena...

Author: /time Magazine | Title: The New Pictures, Jun. 9, 1941 | 6/9/1941 | See Source »

Back in his native Spain, Souto found his best inspiration in the old Spanish masters Goya, El Greco, Velásquez. In 1934 the Spanish Republican Government gave him a Prix de Rome, which lasted him until the outbreak of the Spanish Civil War. A Loyalist who had a brother in Franco's ranks, Souto didn't enjoy the war much. Two months before it was over he left for Paris and Brussels, drifted later to the U.S. Exiled and running low on funds in Manhattan, Souto was lucky enough to get friends to stake him to last...

Author: /time Magazine | Title: Art: New Spaniard | 4/28/1941 | See Source »

During April the Graphic Art of Goya and water colors by Prentice Duell of Etruscan wall paintings from the fifth century tombs at Tarquinia will be the main exhibits...

Author: NO WRITER ATTRIBUTED | Title: Fogg Sponsors New Spring Activities | 2/28/1941 | See Source »

...censor-ridden Spain of the early 1800s, Francisco José de Goya y Lucientes could say in paint what few dared say in words. But, for all his bitter satire and savage realism, Goya was no reforming idealist. When Napoleon kicked out Goya's Bourbon patrons and set his own brother Joseph Bonaparte on the Spanish throne, Goya quickly came to terms with the new regime, and took to painting Bonapartist officials, as he had previously painted Bourbon courtiers. When, a few years later, the Bourbons were restored. Goya changed his coat again. Roared Bourbon Ferdinand VII: "You deserve...

Author: /time Magazine | Title: Art: Furious Spaniard | 2/10/1941 | See Source »

...Ferdinand VII and his inquisitors were slow at forgetting, and life in Spain for the aging, ailing Goya became increasingly irksome. Stone deaf and myopic at 78, he got permission to leave the country, traveled to Paris "to see the world," finally settled among a group of Spanish refugees in Bordeaux. There, in 1828, still painting and drawing with all his old vigor and many a new-found trick, Francisco José de Goya y Lucientes died. A scene he would have enjoyed came on a subsequent fantastic midnight when ghoulish phrenologists stole his skull from the Bordeaux graveyard...

Author: /time Magazine | Title: Art: Furious Spaniard | 2/10/1941 | See Source »

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