Word: goya
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Spain at the end of the 18th century, as it figures in Goya's first series of etchings, Los Caprichos, was still in the clutches of an aggressive Church and absolute monarchy. The tragic and absurd position of the Grandees remained much as they are described in Don Quixote. But it was the people instead of the nobility who now played the exaggerated gallants, in imitation of the upper classes. Superficially Goya's criticisms of foppery, greed, or ignorance are typical of enlightened 18th century humor. But no one can fail to sense the darker moralism, especially in the demoniac...
Like the late works of Beethoven, the graphic art of Goya seems to transcend the limits of style and arrive at an absolute. The parallel is interesting because both men produced their greatest works shut off from the world of sound. Misfortune no doubt seemed endless in Goya's case: he lost his famous mistress, the Duchess of Alba, soon after he lost his hearing. But in spite of the compounded misfortunes, there was some compensation. It was just about this time that he was really finding himself as an artist. His etchings follow the last developments, describing the concerns...
...this sense the exclusion of all but two of Goya's paintings in the current exhibition at the Boston Museum of Fine Arts is to be regretted but not condemned. There is really more than enough for two or three visits in this huge collection of drawings, 129 of which are from the Prado and Lazaro Galdiano Museums in Madrid, and the rest from the rich local resources...
...Goya & Ethics...
Your masterly Aug. 1 article on Goya is another timely blow in your Art department's strategic defense of the traditional values of humanistic art against the idiocies of anti-moralistic modernism. Especially in two phrases do you capture the crisis of ethics in modern art today in all mediums. First, when you speak of Goya's Disasters of War as handling "only villains and victims," for this is what modern editors precisely wish modern fiction and modern drama to delineate. Secondly and more important, when you add, "Goya was a moralist," for there you strike...