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Before his visit to Washington, Felipe González speaks his mind...

Author: /time Magazine | Title: Spain: Looking at the Future, Not the Past | 6/20/1983 | See Source »

...Europe, Spain certainly is bucking it. For the first time since the Civil War, Socialists are in power, having trounced a collapsing center and a regrouping right in national elections in October. Last month their popularity was confirmed in municipal elections, to the delight of Prime Minister Felipe González, who likes to say that "Spain is calm, calmer than at any time since the death of General Franco." The political honeymoon still lasts, and when the boyish 41-year-old Socialist leader flies to Washington next week on his first official visit to the U.S., he will inevitably...

Author: /time Magazine | Title: Spain: Looking at the Future, Not the Past | 6/20/1983 | See Source »

With a 12% inflation rate and unemployment at a punishing 17%, Spain is by no means without difficulties. But at every turn, González has made it clear that he does not intend to impose rash solutions. For example, he has not considered nationalizing anything more than the country's electric grid system. Nor has he been tempted to push for an expansionary economic policy along the lines of the French Socialists during their first year in power...

Author: /time Magazine | Title: Spain: Looking at the Future, Not the Past | 6/20/1983 | See Source »

...surprising thing is that González did not take up a full-time career in sculpture until he was past 50. He was trained as a decorative-metalworker. Iron is everywhere in Barcelona, foaming along the balconies, standing out in rigid black swags and spikes from the corners of 19th century buildings, lacing itself into intricate grilles and diapers and chevaux-de-frise: it is the bronze of Spain. The González family had been forging it for at least three generations. Julio González worked in the family firm; he went to art school and learned...

Author: /time Magazine | Title: Art: Misunderstood Master of Iron | 4/18/1983 | See Source »

...necklaces and rings, all made with perfect competence and a brisk sense of design, none of them markedly different from or technically better than the general run of high-quality craft metalwork that came out of Barcelona in the years of el modernismo, or art nouveau. After 1900, when González moved to Paris, he and his sisters made a living by selling such things in a boutique. What with his metal ornaments and their laces and embroideries, the González clan in Paris was closer to the fashion industry than to the centers of the art world...

Author: /time Magazine | Title: Art: Misunderstood Master of Iron | 4/18/1983 | See Source »

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