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...sheen of many emeralds, in an atmosphere fragrant with excellent things to drink, a new art gallery blossomed last week on Manhattan's artiest street, East 57th, with an opening exhibition that snapped one more spat-button of respectability on the artistic insurgents of 1918: Derain, Picasso, Van Gogh, Gauguin, Matisse. Grizzle-chinned Henri Matisse was present in person to confer a Parisian benediction. Owner and patron of the gallery was beauteous Marie Norton Whitney Harriman, onetime daughter-in-law of Sculptress Gertrude Vanderbilt Whitney, present wife of Banker-Sportsman William Averell Harriman. The Marie Harriman Gallery will probably...

Author: /time Magazine | Title: Art: Wall Man | 10/13/1930 | See Source »

...west as California, and in towns as small as Springville, Utah, are associations showing modernist art. The attendance at the opening of the Museum of Modern Art show of Gauguin, Cezanne, Van Gogh and Seurat, was 47,000. Neither art lovers nor the curious visit displays of academic art in such crowds. Cynics say that even the National Academy of Design, the very last and as yet uncaptured citadel of conservatism, had to hang a picture sidewise and then publicize the fact that a somewhat modernistic picture had been so hung by mistake (TIME, Nov. 18), to get people...

Author: /time Magazine | Title: Art: U. S. Etching v. British | 2/10/1930 | See Source »

...July 9, 1928); Norman Bel Geddes, jack-of-all-design; William Cropper, arch-rebel draughtsman; Mrs. John Davison Rockefeller Jr.; Editor Frank Crowninshield (Vanity Fair); Director Alfred Hamilton Barr Jr. On the walls were hung 98 canvases by the four "old masters" of modern painting: Cezanne, Gauguin, Seurat, Van Gogh. Many a guest at the opening could well remember the time when these men were not even subjects for polite conversation. There had been unwholesome tales of Gauguin, the stockbroker who deserted wife and child for the allures of Tahiti; Cezanne, the vitriolic rebel of the '90s; Van Gogh...

Author: /time Magazine | Title: Art: 51 Portraits | 11/18/1929 | See Source »

...great art-conscious cities except New York, there are museums which exhibit contemporary art, a committee of seven art collectors and patrons planned and announced a Museum of Modern Art, to open in October with an exhibition of the sires of today's "modern" art: Cezanne, Gauguin, Van Gogh, Renoir. The committee has leased a gallery-sized room. For two years they will show the pictures of contemporary European, Mexican and U. S. painters and sculptors, culled from the artists' studios, loaned or given by patrons, loaned or sold by dealers. The neighborhood of the Heckscher Building...

Author: /time Magazine | Title: Art: Modern Museum | 9/16/1929 | See Source »

...weary of revivals, always a sign of creative weakness. It had had enough of academic rules and formulae long since outworn and no longer able to express the contemporary point of view. That the age had something to say is very powerfully shown in such pictures as Van Gogh's "L' Arlesienne", lent by Mr. Adolph Lewisohn; the "Still Life Study of Fruit," lent by Mr. and Mrs. Walter S. Brewster; the "Street in Arles," lent by Mr. and Mrs. Gilbert E. Fuller; or the "Postman"--M. Roulin, owned by Mr. and Mrs. Robert Treat Paine II. There is vitality...

Author: NO WRITER ATTRIBUTED | Title: COLLECTIONS -- and -- CRITIQUES | 3/12/1929 | See Source »

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