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Such post-impressionists as Gauguin, Van Gogh and Cézanne wrenched the wheel further around, by refusing to paint precisely what they saw. They also painted what they felt about it, and they inclined to look more at their pictures than at their subjects. It remained for the living moderns, led by Picasso and Matisse, to give the final twist. A painting, they decided, is a painting first and foremost, and whatever it represents must be secondary. Granted that much, they felt perfectly justified in making their own rules, regardless of "appearances." Some (the nonobjective painters) chose to ignore...

Author: /time Magazine | Title: Art: Beauty & the Beast | 4/5/1948 | See Source »

Like Icarus, Matisse has flown close to the sun; his most recent pictures are so richly dazzling that beside them such bold 19th Century colorists as Renoir and Van Gogh fade to dimness. And like Icarus, Henri Matisse has not much time. Sitting up in bed, the old man puts importunate visitors off with a serene apology: "I'm very busy," he murmurs, "packing my bags for the next world...

Author: /time Magazine | Title: Art: Beauty & the Beast | 4/5/1948 | See Source »

...explosions of temperament (Ginger Rogers refused to let one cherished piece of her sculpture out of the house). But he-man Fred MacMurray double-wrapped his watercolor (Red Chimney) and sneaked it in the back door of the hall; Sigrid Gurie presented a painting signed "Sigrid" (after all, Van Gogh signed his "Vincent"); Mrs. William Powell, whose husband may currently be seen in Life with Father, offered a still life prominently featuring a copy of the book-and signed the picture "Mousie"; Ella Raines showed a circus scene and signed her middle name, "Fatima"; Elizabeth Taylor titled her self-sculpture...

Author: /time Magazine | Title: Cinema: Cast of Characters | 3/1/1948 | See Source »

...home, left only 1,231 minor paintings to cover the walls. Among the loot: Raphael's Sistine Madonna, Correggio's Holy Night, 17 Rubenses and as many Rembrandts, 24 Van Dycks and seven Poussins, as well as paintings by Tintoretto, Velasquez, Vermeer, Manet, Renoir, Degas and Van Gogh. Total value of the Zwinger loot...

Author: /time Magazine | Title: Art: Tasteful Trophies | 2/9/1948 | See Source »

...show was Hiroshige, who was born 37 years after Hokusai. His work ended the golden age of Japanese prints and started a new era in Western art. His prints, frequently used in wrapping tea for export to Europe, exerted an influence on Manet, Whistler, Degas, and Van Gogh...

Author: /time Magazine | Title: Art: The Floating World | 1/6/1947 | See Source »

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