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Financially, Lincoln Center's Waiting for Godot was a triumph before it started rehearsals. The combination of an all-star cast, headed by Robin Williams and Steve Martin, and a run limited to seven weeks in a 291-seat theater made the show a sellout. In fact, the box office never even opened to the general public: the Manhattan arts complex's 36,000 drama subscribers were enough to fill the 16,000 places more than twice over...

Author: /time Magazine | Title: Theater: Clowning Around with a Classic WAITING FOR GODOT | 11/21/1988 | See Source »

Beckett sees human existence as haplessly ephemeral -- eroded away, the very moment it is lived, by aging and pain and forgetfulness and death. "They give birth astride of a grave," one of the characters cries out in the play's most memorable line. The barren landscape of Godot is not recognizably our world. The fetid tramps sleep in ditches and are beaten by nameless others in the night. But their frustrated yearning to be recognized and their sense of life as perpetual diminishment should seem universal. Instead, the supreme existentialist tragedy of the 20th century has been reduced...

Author: /time Magazine | Title: Theater: Clowning Around with a Classic WAITING FOR GODOT | 11/21/1988 | See Source »

After the stage run closes Nov. 27, the production is expected to be taped for TV. It may work better in that format. Even onstage, if audience members can forget the Beckett masterpiece that is being obliterated, this Godot calls to mind some of the best surreal comic sketches on Saturday Night Live -- a show on which all the principal actors except the pristine Abraham have appeared...

Author: /time Magazine | Title: Theater: Clowning Around with a Classic WAITING FOR GODOT | 11/21/1988 | See Source »

Waiting for Columbia to win was like waiting for Godot...

Author: By Mark Brazaitis, | Title: Forty-Four Games Later, a Victory | 10/11/1988 | See Source »

...campus came from outside the College. A troupe of Irish university student actors began their American tour by treating Harvard audiences to strong, unorthodox performances of four plays by modern Irish dramatists, including J.M. Synge's The Playboy of the Western World and Samuel Beckett's Waiting for Godot...

Author: By Gary L. Susman, | Title: The Changing of the Avant-Garde | 6/8/1988 | See Source »

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