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Word: godding (lookup in dictionary) (lookup stats)
Dates: during 1980-1980
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Usage:

...God willing, we shall soon no longer have the hostage issue." With those words, Iranian Prime Minister Mohammed Ali Raja'i aroused fresh sparks of hope last week that the 52 Americans in captivity might be freed. Just possibly, said Raja'i, it could happen as early as "the feast, or the birthday, or whatever they call...

Author: /time Magazine | Title: HOSTAGES: A Somber Holiday Vigil | 12/29/1980 | See Source »

...death of God, the need for God, the rage against God if he does exist have obsessed Britain's Peter Shaffer for more than a decade. He has written three psychodramas that are, in a way that no author of an adulterous farce could imagine, plays about the eternal triangle. Two men are pitted against each other under the baleful or indifferent eye of a God who is present but never made manifest...

Author: /time Magazine | Title: Theater: Blood Feud | 12/29/1980 | See Source »

This phase of Shaffer's career began with The Royal Hunt of the Sun (1964). In that play, Atahuallpa, who is both emperor and god of the Incas, is executed by the order of Pizarro, the Spanish conquistador. The most desolating moment of the play comes when Pizarro, who has lost faith in the Christian God, hopes against hope that Atahuallpa will be resurrected before his eyes. He is not. In Equus (1973), a boy blinds horses because he believes them to be gods who have witnessed his sinful transgressions. He duels with a psychoanalyst. Decrying his own dried...

Author: /time Magazine | Title: Theater: Blood Feud | 12/29/1980 | See Source »

Imagine his personal fear and his ire at God when Mozart, "the obscene boy," appears with the music of heaven, sublimely, effortlessly at his fingertips. And what a Mozart! Impudent, abrasively egocentric, silly in behavior, foul of mouth, a wine-bibbing libertine. Tim Curry's Mozart is unforgettable, an imp of the perverse, a strangely vulnerable Pan on a goatish night...

Author: /time Magazine | Title: Theater: Blood Feud | 12/29/1980 | See Source »

...flashback us ing Salieri as narrator. The device impedes the dynamics of the play and some times makes the Viennese court seem like a cynically corrupted version of Grover's Corners. Early on, when Salieri is 16, he kneels in prayer and makes a Faustian compact with God. He vows to excel in virtue, magnify his talents and live his life as a tribute to his creator if only God will grant him fame...

Author: /time Magazine | Title: Theater: Blood Feud | 12/29/1980 | See Source »

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