Word: goats
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Dates: during 1960-1969
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...silly dance like a billy goat...
...point for point, to the 1964 Michael Cacoyannis film, with its powerful evocation of fierce joys and harsh sorrows against the spare Greek landscape. Anthony Quinn was possessed by the title role; Herschel Bernardi merely inhabits the part like a rented room. Quinn had the sexual assurance of a goat; Bernardi talks up lust as if he were a barker for a snake-oil remedy. Zorba has to be-as Quinn was and Bernardi is not-a grizzled Dionysian pagan, a piece of the Hellenic sun shaped like...
Aggressive Medium. For nearly a decade, or since Robert Rauschenberg hung a tire on a stuffed goat and Andy Warhol began painting the soup can, artists have labored to create simple, obvious public art. They used colors that screamed; painting was likely to have hard-edged forms; sculpture was geometric, intended as focal points in plazas. Today the trend is in the opposite direction: artists are deliberately going underground. Even though they may use people as part of their sculptures-as does Byars-their purposes remain arcane and enigmatic...
Confined to a few brief scenes, the bearded Mitchum is little more than a cameo of a goat. The bloated, bejeweled Taylor seems less a depleted call girl than a prosperous madam. But alternately snooty or snarling, she does underline the message of her role: there is nothing more pretentious than swank posing as class. Unfortunately, that is the message of the film as well...
LOST IN THE FUNHOUSE, by John Barth. When read straight through, these 14 experimental pieces of fiction by the author of Giles Goat-Boy interact to produce a series of enticing illusions...