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With the photo in hand, Jerry Glassman, the division's program administrator for raffles and bazaars, wanted to discover whether the AAA owed Massachusetts back taxes...

Author: By Matthew S. Mchale, | Title: Gambling Night Investigated | 2/24/1996 | See Source »

...through the city, because otherwise it's illegal," Glassman said...

Author: By Matthew S. Mchale, | Title: Gambling Night Investigated | 2/24/1996 | See Source »

Before Massachusetts could collect from the AAA's coffers, however, Glassman ran into one small problem...

Author: By Matthew S. Mchale, | Title: Gambling Night Investigated | 2/24/1996 | See Source »

...James K. Glassman '69, former managing editor of The Crimson, writes a twice-weekly column for The Washington Post. He is the former publisher of The New Republic and The Atlantic Monthly, and editor of Roll Call, a Capitol Hill newspaper. Reserve Officers Training Corps, investments inSouth Africa, the lack of Black studies and thelike, was playpen stuff. It was intellectuallyengaging, exhilarating and libidinous. But itwasn't the real thing...

Author: By James K. Glassman, | Title: '69 Alumnus Reflects on 'Revolution' | 6/6/1994 | See Source »

...DIRECTOR CALLS THE SHOTS; THE cinematographer shows you the light. In VISIONS OF LIGHT, a superb documentary by Arnold Glassman, Todd McCarthy and Stuart Samuels, directors of photography are revealed as painters on film, Rembrandts with an Arriflex. The movie blends clips from Hollywood's wondrous black-and-white era with reflections by such modern masters as Michael Chapman ("A cinematographer's job is to tell people where to look"), Allen Daviau ("What's important are the lights that you don't turn on") and Conrad Hall ("There's a language far more complex than words"). If only the vast...

Author: /time Magazine | Title: Short Takes: May 3, 1993 | 5/3/1993 | See Source »

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