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...members of this community can, and will bring themselves "to regret the departure of Assistant Director Stephen Aaron '57" and the theatre at Harvard will be considerably poorer for the loss of a man of Mr. Aaron's acumen and enthusiasm. William Alfred John M. Bullitt Dean Gitter Cedric H. Whitman John Ratte Elliott Perkine John Conway Daniel Seltzer Robert Chapman Walter J. Kaiser...

Author: NO WRITER ATTRIBUTED | Title: TO THE DEFENSE | 5/12/1961 | See Source »

...jokes were schmaltzy, but it was the right kind of schmaltz: the kind that isn't self-conscious. Dean Gitter's direction was so rapidly paced that even the most outrageous puns seemed outrageously funny, and a laugh meter could praise them more accurately than a critic. By moving fast, Gitter managed to interrupt laughter with more laughter...

Author: By Frederick H. Gardner, | Title: Sing Muse | 5/5/1961 | See Source »

...Gitter, in his capacity as actor, turns her shipping magnate husband--those who cut Hum 2 infrequently will identify him as Menelaus--into a Runyanesque caricature of the Bronx boy who makes real good...

Author: By Frederick H. Gardner, | Title: Sing Muse | 5/5/1961 | See Source »

Presently, such productions rarely come to Boston. Both Sol Hurok and Aaron Richmond have publicly stated, says Gitter, that major productions cannot be played here. Those companies that have tried them in the Boston Garden have refused to return...

Author: By Michael S. Gruen, | Title: The Once and Future Theater | 2/21/1961 | See Source »

Among the possibilities for rehabilitation, Gitter envisions making the first floor of the building (once used for a factory) into a museum showing the history of the Old Howard; and the vaulted cellar into a restaurant to be leased out to help meet costs. The theater itself would be run without profit. As to the cost of rehabilitation. Gitter is convinced that he can get the necessary $1.5 million through private contributions...

Author: By Michael S. Gruen, | Title: The Once and Future Theater | 2/21/1961 | See Source »

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