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...said the two things you look at before getting involved in any project is 1) the script 2) the director. Here, Tony Gilroy, is both. What's it like for a director to take direction from a first time director...

Author: /time Magazine | Title: Q&A: George Clooney | 1/11/2008 | See Source »

ROBERTS Tony Gilroy is writing it and directing...

Author: /time Magazine | Title: Remaking History | 12/6/2007 | See Source »

...Michael Clayton, written and directed by Tony Gilroy (who wrote a couple of the Bourne movies), plays into a pretty common form of contemporary American paranoia. Everyone fears a legal letter from a firm like Kenner, Bach and Ledeen, which typically signifies lots of unpleasant prospects: that someone is willing to spend millions to go after you, that even if, eventually, you prevail, the cost of defending yourself will ruin you and that law firms and their big-time clients will not be entirely scrupulous in pursuing their case. Sure enough, murderous private detectives are soon deployed to protect U/North...

Author: /time Magazine | Title: Michael Clayton's Ethical Dilemma | 10/4/2007 | See Source »

...Tony Gilroy, the screenwriter (all three Bourne movies) making his directorial debut here, balances character study with thriller elements, while adroitly shifting the plot's sequence of tenses over a four-day period. Whatever lethargy his movie falls into in its early passages, it rouses itself for a finale about which I should say little, except that it's likely to send the audience home happy and satisfied. I guess it's just the contrarian in me that wonders if real corporations are so awful, and the stalwart souls and whistle blowers who work for them so numerous, as they...

Author: /time Magazine | Title: Hollywood Stars' Do-Gooder Deeds | 9/9/2007 | See Source »

...director Doug Liman in 2002's The Bourne Identity. That movie minted a gritty new kind of action film, but its nail-biting production left Universal Studios looking for a new director who could somehow combine edge and efficiency. At a 2003 meeting at the studio, writer Tony Gilroy suggested Greengrass. "There was a grunt of approval," remembers Damon, sitting across from Greengrass in a poolside cabana at the Four Seasons Beverly Hills. "I was the one idiot in the room who hadn't seen Bloody Sunday." After the meeting, Damon watched the documentary-style drama about the 1972 massacre...

Author: /time Magazine | Title: How the Bourne Boys Keep it Real | 8/2/2007 | See Source »

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