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...really did get a crummy deal from the establishment - match fees in the hundreds of dollars and no contract money. WSC changed that and, though it split cricket asunder for two years, it is generally now seen as a boon for the game. But as cricket and business writer Gideon Haigh observes: "Players are more susceptible now to financial inducements than they were when they were paid a pittance. Now that everything has a value, nothing is beyond price...

Author: /time Magazine | Title: The Indian Century | 2/28/2008 | See Source »

...racial consciousness, that they belong, as artists, to the same human family as everyone else.”In addition to being a critic, Brustein is also the founder of the American Repertory Theater (ART), housed at the Loeb Theater in Harvard Square. According to acting artistic director Gideon Lester, Brustein founded the theater with a “colorblind” philosophy of giving the best actor the best part regardless of his or her race. While diversity in casting is, Lester says, an institutionalized principle at the ART, he questions whether “non-traditional?...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: Staging the Race Debate | 2/22/2008 | See Source »

...last sees the 25-foot great white and says to shark hunter Quint, "You're gonna need a bigger boat." The ex-boxer first got attention, and an Oscar nomination, as Gene Hackman's police partner in The French Connection and proved he could be vulnerable as choreographer Joe Gideon in Bob Fosse's semiautobiographical All That Jazz, a role for which he had to learn to dance. The film, Scheider's favorite, won him critical raves and another Oscar nod. He was 75 and had blood cancer...

Author: /time Magazine | Title: Milestones | 2/14/2008 | See Source »

...GIDEON L. LOWIN...

Author: By The Crimson Staff | Title: The Harvard Crimson proudly announces the members of its 135th Executive Board | 1/30/2008 | See Source »

...faculty, Puchner is already at work closing the gap. “I think there’s some truth to that and we need something serving as a bridge,” he says. “Next term, I’m team-teaching a course with Gideon Lester, the interim director of the A.R.T. We’re inviting directors and dramatists to class to study the works being put on at the A.R.T.“If I stayed, something like what I’m doing this year could be established since...

Author: By Alexander B. Cohn, CRIMSON STAFF WRITER | Title: Harvard Drama’s 300-Year Struggle | 12/7/2007 | See Source »

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