Word: gianni
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...Gianni, a film producer, realizes midway through the shooting of his latest film that Clara, an actress in the film with a small role, has tremendous star potential. Gianni demands rewrites and shootings to make Clara the star of the movie. Caught in the power struggle of the film industry, Clara marries Gianni, who now controls her life. Antonioni forcefully reveals a deep preoccupation with isolation through his female protagonist...
...reached the Americas. Even Italy is awash in cash and exuding optimism, despite creaking public services and revolving-door governments that can be in and out of office faster than it takes a letter to go from Rome to Milan. "To speak of Europhoria is right," says Foreign Minister Gianni de Michelis. "There is a change of perception, not just among governments but among the people...
...strategically vital field of computers, no European firm is capable of competing with America's IBM or Japan's Fujitsu. "We know very well that European companies still are a long way away from having the critical mass necessary to stand up to the competition," concedes Gianni Agnelli, chairman of Italy's Fiat. Still, some success stories show that Western Europe has not been entirely eclipsed at the high-tech end of the market, where the battle for survival will be keenest. Airbus Industrie has emerged as Boeing's main competitor in the lucrative commercial aviation sector. While...
...Milan staked its claim in a time of flux, when the fashion establishment, still shell-shocked by the '60s, was not quite so restrictive. Italy came on with a rush of fresh talent: dazzling designers (like the Missonis), some fine hands (like Gianfranco Ferre) and some naughty boys (like Gianni Versace). But, in Armani, it produced just a | single world beater. Paris, on the other hand, can still offer a wider spectrum: sumptuous Saint Laurent, engaging Lagerfeld, generative Miyake, fast-flash Gaultier, ebullient Patrick Kelly. As ever, it is center stage, the arena on which designers want most to play...
Originally, the Met entrusted Aida's direction and design to Franco Zeffirelli, who recreated the city of Paris in the 1981 La Boheme and put the Forbidden City on the stage with his 1987 Turandot. When Zeffirelli's designs turned out to be too big and expensive, Gianni Quaranta, Zeffirelli's set decorator on several films, was engaged instead. Quaranta has conjured up a storybook Nile replete with towering statues, colorful friezes and a couple of skittish horses to pull Radames' chariot during the Triumphal March. Employing the two-tiered hydraulic stage lift a la Franco, Quaranta triggered the evening...