Word: gering
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...film's setting is an idealized Lancashire town where American G.I.s are stationed while waiting to invade the Continent. The plot is Hollywood's ancient love-today-for-tomorrow-we-die formula, taken to the third power: three Yanks of varying rank (Richard Gere, William Devane, Chick Vennera) relentlessly pursue three Englishwomen of varying social status (Lisa Eichhorn, Vanessa Redgrave, Wendy Morgan). Since two of the heroines have home-town heartthrobs fighting overseas, the American interlopers meet with some early but usually temporary setbacks. By the time the movie reaches its climax-an irresistible train station farewell, complete...
...performances. The movie's locations include quaint shops and pubs, foggy, blacked-out streets, a glorious art deco movie palace and enough green pastures to make even an Irishman go dizzy. Most of the cast accomplish the not inconsiderable feat of standing out against the colorful backdrops. Though Gere at times slips into self-conscious mannerisms, he makes his character, a mess sergeant from Arizona, an appealing innocent abroad. Devane is a charming commanding officer, despite his disconcerting tendency to sound like Jack Nicholson. Both Eichhorn (a gifted screen newcomer) and Redgrave show enough backbone to prevent their roles...
Aside from sexual lassitude, the biggest problem with these lovers is that there are too many of them. Only the Gere-Eichhorn romance is fully told, complete with subsidiary characters (Eichhorn's parents, well acted by Rachel Roberts and Tony Melody). The remaining couples are superficially sketched and add little to the film except length. There are other excesses as well: a thrown-in sub plot about Redgrave's troubled young son, some muddled digressions about British-American cultural conflicts, and a grueling military race riot. Besides wasting time, these intrusions are pretentious; the director seems...
Linda Manz. "I didn't have to act. I just did it. I was brought up scared, so I act scared." Linda Manz, a street-corner scuffler with old eyes, whose half-deaf mother worked as a cleaning woman in Manhattan, tells about her first film role as Richard Gere's kid sister in Days of Heaven. "Ursula was the name of the character at first, but they changed it to Linda, 'cause it was me. It ain't no girl in the 1900s." The film is a strange, dreamlike reminiscence of days when migrant harvesters followed steam-driven threshing...
...Gere plays Stony De Coco, a 19-year-old who still lives with his suffocating parents in the antiseptic, concrete high-rises of The Bronx. Should Stony continue the family tradition and become a construction worker? Or should he follow his desires and become a white-collar counselor to infirm children? A simple dilemma, but Bloodbrothers takes forever to resolve it. There is so much clutter in this movie that it is often difficult to find Stony amidst the underbrush...