Search Details

Word: generally (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Though his requirement tally did diminish by one when he joined the 43 other seniors who chose to make the last-minute leap from the Core to the Program in General Education, Musa says the benefits of switching proved to be more than just quantitative...

Author: By Julie R. Barzilay, CRIMSON STAFF WRITER | Title: Gen Ed Identity Still Emerging | 4/21/2010 | See Source »

...keeping with this mission, the office has become an advocate for artistic and creative coursework, according to Administrative Director of the Program in General Education Stephanie H. Kenen...

Author: By Julie R. Barzilay, CRIMSON STAFF WRITER | Title: Gen Ed Identity Still Emerging | 4/21/2010 | See Source »

...father (Benjamin T. Morris ’09) follows suit with his hilarious introductory song, “I am the very model of a modern Major-General.” He delivers his performance with confident, prim inflection at a break-neck pace, capturing the Major-General’s character from the first sure-handed note. His assurance that he can provide “many cheerful facts about the square of the hypotenuse” provides laughs...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: HRG&SP's 'The Pirates of Penzance' Proves Arrrrr-esting | 4/20/2010 | See Source »

Most enjoyable of all are a series of three magnificently overblown introductions that build up a cast of bombastic, magnetic supporting characters: Mabel, the Major-General, and the Sergeant of Police. Mabel (Bridget P. Haile ’11), Frederic’s love interest and daughter of Major-General Stanley, bursts onto the scene with a warbling, upper-register tour-de-force that—in addition to causing Frederic to visibly swoon—immediately captures Mabel’s simple-hearted desire to impress...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: HRG&SP's 'The Pirates of Penzance' Proves Arrrrr-esting | 4/20/2010 | See Source »

...shout-outs to his first album, the majority of Cudi’s set consisted of underground songs that he cited from his pre-fame mix-tapes. And while these tracks deserve merit, they were not what the audience had been waiting for. It must be said that in general, Kid Cudi does not have an extensive repertoire to speak of; his hit-list is easily exhausted. However, his biggest songs were rationed at odd and uneven intervals, which in many cases killed the show’s overall momentum. Cudi’s first exit was unexpected, and while...

Author: By Chris R. Kingston and Alex C. Nunnelly, CRIMSON STAFF WRITERS | Title: Day or Nite, Yardfest Does Not Entertain | 4/20/2010 | See Source »

Previous | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | Next