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Recognizing that cross casting changes the audience's perception of the performance is an interesting by-product of gender and racial role swapping. Director Jenny Gibbs offers last spring's all-female production of As You Like it as a prime example...

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

Does no-holds barred, cross-casting always work? College directors and actors fall on both sides of this issue. Harvard student director Jim Marino briefly considered cross-gender casting during auditions for this fall's production of Romeo and Juliet. "The play is largely about women being oppressed by a patriarchal society. I decided that having women carry the swords that force Juliet into marriage wouldn't be as plausible as having male actors in those roles," Marino says...

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

...Gender blind casting depends upon the actor and directors to keep the goals of the play they want to present in mind," Marino says. "However, you cannot sacrifice a good actor because of gender, race or color...

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

...director Gibbs was faced with the dilemma of wanting to cross cast while remaining true to the intentions of the scriptwriter when holding auditions for this fall's performance of Tiny Alice. "I wanted to cast the best actors--male or female. However, it became clear during auditions that gender cross casting would be disruptive to Albee's script...

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

Although cross casting seems like the ideal meritocracy, directors and actors alike recognize that those who "do not know the right people," very often because of their gender or ethnicity, are not even given the opportunity to audition for many roles...

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

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