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...notables as Paul Newman, Shirley MacLaine and Julie Christie. But Beatty's piece de resistance was the reunion of three split-up groups of stars: Peter, Paul and Mary, sounding as unified as ever; Mike Nichols and Elaine May, delivering their own deadpan political satire; and Simon and Garfunkel, re-creating Bridge over Troubled Water, which may be destined to become Senator McGovern's campaign song. "We feel we are laboring at a disadvantage in comparison with other groups on this program," Nichols remarked. "They quarreled viciously and broke up only a few months ago, but we have...

Author: /time Magazine | Title: People, Jun. 26, 1972 | 6/26/1972 | See Source »

...Sing Out! write a self-righteous and uncomprehending "Open Letter to Bob Dylan" in 1964 under the guise of friendship and concern? Why was Dylan's experiment in folk-rock viewed as unspeakably treasonous? (A comparison between the lovely acoustic version of "Sounds of Silence" on Simon and Garfunkel's first album with the far more intensely haunting folk-rock version on their second, recorded after Dylan's "Like a Rolling Stone," is one small measure of the importance of Dylan's liberating innovation...

Author: By Peter M. Shane, | Title: Dylan's Back Pages | 6/13/1972 | See Source »

Bridge Over Troubled Water, the biggest-selling pop record of 1970, was the last joint effort by the two young singers Simon and Garfunkel. Everyone knows what Art Garfunkel has been doing since then: acting in Hollywood (Catch-22, Carnal Knowledge). But what of Paul Simon, the creative half of the team, the composer of Bridge and all those other hits like Sounds of Silence and Mrs. Robinson? He has been preparing his first solo LP in recording studios as far apart as Paris and Jamaica, Los Angeles and New York. Called simply Paul Simon, it manages to sound...

Author: /time Magazine | Title: Music: Simon Says | 1/31/1972 | See Source »

...unsung songwriting team. He is also guardian of his twelve-year-old sister (Susan Neher), who serves as housekeeper for him and his sappy live-in lyricist (Wes Stern), to the agitation of local social workers. The series' premise is a rather icky wicket, and Simon and Garfunkel the boys are not. But, as in The Partridge Family, the cast is disarming and the whole production surprisingly artful...

Author: /time Magazine | Title: Television: The New Season: II | 10/4/1971 | See Source »

Here the disease is not venereal but spiritual. Its scarlet lettermen are types rather than individuals, traced from undergraduate days to their adulterous 40s. Nichols opens with a series of kinetically hilarious sketches, starring Campus Smoothie Jonathan (Jack Nicholson) and his pre-med buddy Sandy (Arthur Garfunkel). Cinematically, Nichols has never been less tricky or more acute. With dazzling focus he watches Sandy light upon an icily gorgeous WASP named Susan (Candice Bergen). The naif spills every intimate detail to his roommate; with metronomic two-timing, Jonathan moves in on Sandy and with Susan. But the Ivy rake has only...

Author: /time Magazine | Title: Cinema: Spiritual Disease | 7/5/1971 | See Source »

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