Word: galento
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...something called Club Miami in Newark, N.J.. he kept the crowds amused by insulting them, occasionally stepping into the alley to fight it out with a customer. One night a patron smashed him into unconsciousness. It turned out that the patron was boxing's Two-Ton Tony Galento...
...Lark, TV's Little Moon of Alban), arrives in turn-of-the-century Miami, where he harkens to tales about Cottonmouth (Burl Ives), a red-bearded snake charmer off in the Everglades whose band of swamp angels (including such old Thespians as ex-Pug Tony Galento, Clown Emmett Kelly, Jockey Sammy Renick) pick off the wildlife like hungry dogs in a horsemeat factory. Modern hunters would do well to study their technique: every bird they shoot falls within 2 ft. of their boats...
...half the fight the rangy Negro challenger had the bookies worried. Ex-Champion Charles was boxing so well that the champion looked like the sloppiest fighter since Two-Ton Tony Galento. More often than not Rocky's wild punches were flailing empty air. By the end of five rounds he had done little damage. In close, Charles still had strength enough to tie the champion up. At long range, he was counterpunching sharply...
...sleep, calls sleeplessness "culture's greatest ally." He drinks from 20 to 30 cups of coffee a day (no liquor), makes regular rounds of such Manhattan hangouts as Toots Shor's, Lindy's, the Stage delicatessen or Sardi's. When Tony Galento, the barrel-shaped bartender-turned-fighter, was flattened by Joe Louis, Cannon wired big (250 Ib.) Toots Shor: "Lay low. This is a bad night for fat saloonkeepers." Scarcely a day passes in season that Cannon doesn't go to the ballpark, fights or races. Once, after a well-wisher introduced...
...tried & true turns: a dog act, a comedy team of acrobats, tap and ballroom dancers, comedians, songbirds, straight men. Gus Van (of venerable Van & Schenck) did a tear-jerking ballad about the good old days; Ray Bolger danced a comic solo interpretation of the Joe Louis-Tony Galento fight; James (Tobacco Road) Barton played a drunk; Beatrice Lillie (who played the Palace in 1931 at $10,000 a week) sang There Are Fairies at the Bottom of My Garden...