Search Details

Word: gail (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

DEAN MARTIN PRESENTS THE GOLDDIGGERS (NBC, 10-11 p.m.). Leu Rawls, hero of rhythm-and-blues fans, is joined by Gail Martin (Dino's daughter) and Paul Lynde for another summer with the singing, dancing Golddiggers. Premiere...

Author: /time Magazine | Title: Television: Jul. 18, 1969 | 7/18/1969 | See Source »

...five-day race riot in Plainfield in 1967, Gleason, 39, the father of three, shot and wounded a youth who had attacked him with a hammer. He was surrounded by an angry mob of Negroes and stomped, hacked and shot to death. Sentenced to life in prison were Gail Madden, 22, a 250-pounder, whom witnesses identified as the woman in a bright orange dress who stomped Gleason, and George Merritt, 24, who attacked the officer with a meat cleaver. Five of those who were freed had been identified by a witness whose poor eyesight made his testimony worthless. During...

Author: /time Magazine | Title: Races: Three Courtrooms | 1/3/1969 | See Source »

...programs go in for a little extra insurance. Julia (NBC) is a Negro widow. Warns Star Diahann Carroll: "Julia is not going to tell it like it is. It's a comedy, and Watts ain't funny." Another Negro widow, played by Gail Fisher, will be a regular on the old private-eye series Mannix (CBS). A pair of new ABC adventure programs feature balanced tickets as well. The Mod Squad boasts three troublemaking dropouts who turn fuzz: one hip white chick (Peggy Lipton), one rebellious rich white boy (Michael Cole), and one ghetto black (Clarence Williams...

Author: /time Magazine | Title: Programs: Here Come the Merry Widows | 9/20/1968 | See Source »

...GAIL LYNN LARSON Lombard...

Author: /time Magazine | Title: Letters: May 3, 1968 | 5/3/1968 | See Source »

Nonetheless the music had its bright spots. Sensitive playing from violinist Richard Hamm and cellist Steven Gates sparked an otherwise lack-lustre orchestra. Sopranos Jane Devitt and Made-laine Rembock displayed powerful but well-controlled voices, while alto Gail Feinberg sang everything with a pubescent, lower-class tone that was instant comic relief. Tenor Larry Bakst, looking more embarrassed than most in his sparse neo-Athenian garb, nonetheless gave out a pure, well-modulated Russell Oberlin-like sound that was the surprise joy of the evening. The chorus acquitted itself energetically, though its acting and stage deportment matched the sophistication...

Author: By Robert G. Kopelson, | Title: The Fairy Queen | 4/24/1968 | See Source »

First | Previous | 182 | 183 | 184 | 185 | 186 | 187 | 188 | 189 | 190 | 191 | 192 | 193 | 194 | 195 | 196 | 197 | 198 | 199 | 200 | 201 | 202 | Next | Last