Search Details

Word: gail (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Gail Cooper Brumleve...

Author: /time Magazine | Title: Letters, Sep. 18, 1978 | 9/18/1978 | See Source »

...results of the Summer School Poetry Competition have been decided by judges Gail Mazur, Margot Lockwood, Carol Oles and Peter Theroux. A first prize of $50 was awarded to Jacquelyn M. Crews for her poem "Rebecca," which is printed below. A second prize of $20 each went to Marcia Hulley for her entire collection and to Michael Wasserman for his poem, "To An Autistic Boy." Julia L. Fein and Steven Albert received honorable mentions. The Summer School Photography Competition was cancelled due to insufficient entries...

Author: By Jacquelyn M. Crews, | Title: Summer School Announcements | 8/15/1978 | See Source »

...royalties, but U.C.L.A. Psychiatrist Roger Gould, 43, may be the first to make that much from someone else's book. Since 1969 Gould has been studying "adult life stages" in an effort to show that all men and women go through similar phases of psychological development. Manhattan Journalist Gail Sheehy, in preparing her 1976 bestseller Passages, borrowed enough from Gould's unpublished research that the psychiatrist sued for plagiarism. The suit was settled out of court, with Gould receiving $10,000 and 10% of Sheehy's royalties...

Author: /time Magazine | Title: Behavior: Passages II | 8/14/1978 | See Source »

Many of the juiciest conclusions of the book have been, as it were, leaked to the world by Gail Sheehy, author of the best-selling Passages, which set forth the basic thesis enunciated at greater length and in more detail here: that all people go through an age-linked series of developmental stages in adult life, each with its specific psychological and social tasks and each the necessary base on which to begin the next phase of adult development...

Author: By Eric B. Fried, | Title: It's Just This Crazy Phase I'm Going Through | 5/17/1978 | See Source »

...subtler was Gail Casson's disquieting solo, "Marooned." A crumpled piece of cloth served in turn as the dancer's nursed and dandled baby, as an alien object enkindling fear, as the skirt in which she danced with measured delicacy or frenzied abandon, and finally as a pair of wings launching her into solipsistic flight. Through an accumulation of flawlessly-timed, needle-sharp details, Casson awakened issues of astonishing complexity: identity and mask, fantasy and madness, reality and imagination, or--as when she held the bunched skirt to her breast, moving her own mouth in the fishlike gulps...

Author: By Juretta J. Heckscher, | Title: More Than a Theory | 4/19/1978 | See Source »

First | Previous | 154 | 155 | 156 | 157 | 158 | 159 | 160 | 161 | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | Next | Last