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...Living Desert, his first full-length nature film, he modestly takes a mere quarter-million square miles for his province-the harsh and lovely world of the great American desert. Despite all the petty efforts to Disneyfy what the ages have dignified, The Living Desert remains a triumphantly beautiful film...
They have drawn up rules for the new order, which they hope will be approved officially by the bishop and later by Rome. Members must take the vows of poverty, chastity and obedience, plus a fourth pledge: to bury the dead. Brothers must shave their heads and wear full-length beards, never smoke, drink wine or eat meat, and never leave their cemetery except for necessity. Postulants must serve a six-month trial period before becoming novices, and must remain novices for two years before being accepted as members of the community. "We are the mystic dead," explains Hilarion...
...residence, a muffled voice directed them to come in. The bedroom they entered was empty, but the voice, which seemed to be coming from the bathroom, gave them further directions: "In here." Proceeding solemnly into the bathroom, the two diplomats found Secretary of State John Foster Dulles stretched out full-length in a warm tub, his arms folded upon his chest in an attitude suggestive of the funeral effigy of Henry III in Westminster Abbey. Brushing aside his subordinates' apologies, Dulles dealt with their problem in matter-of-fact fashion, then relapsed into his yogi-like trance...
...House. Famed Ballerina Margot Fonteyn, fully recovered from a six months' bout with the aftereffects of diphtheria, headed the cast again, and among the lesser stars were Violetta Elvin, Nadia Nerina, Rowena Jackson, Michael Somes and a promising newcomer to the troupe, Svetlana Beriosova. Opening-night number: a full-length version of Tchaikovsky's Swan Lake, with sparkling new costumes and scenery and changes in the choreography which lengthened the 58-year-old masterpiece to a full four acts...
...result, as eye-filling as ever, was an example of what Sadler's Wells likes to do best: the full-length romantic ballet in classical style. The ballet chorus, dressed in autumn colors as peasants, in regal purples and crimsons as court maidens, in severe white as swans, made a gorgeous frame for the principal action. Among the brightest spots: Fonteyn's touching pantomime as the bewitched swan-princess and her vicious precision in her alternate role as the magician's wicked daughter; Dancer Somes's hurtling leaps in the court scene; a new "Neapolitan" duet...